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ARCHDRUID
Archdruid

Self-released (2025)
Rating: 7/10

The 2021 debut demo from New Hampshire act Archdruid impressed me greatly, and I still often revisit its doomy delights. It’s good to see the band has finally issued a full-length outing and that vocalist Emily Sordid Waltz is up to her old tricks again, weaving tales of magic and folklore between a simplistic yet pleasing doom metal framework.

As with a lot of bands of this ilk, Archdruid combs the shores of vintage classics for influence. Think Pentagram and Pagan Altar while existing in the same melting pot as another female-fronted clan, Castle Rat. The riffs throughout rumble with thunderous effect, and Emily has a classic tone to her voice.

‘Lurking Fear’ was the track which emerged several months ago to suggest the band was working on something bigger, and in spite of the poor video the track trudged along nicely. Yes, Archdruid offer standard doom metal, but it runs smoothly and features some pleasant lead work (‘Archdruid’) alongside some cool, fluid traditional metal structures (‘Niseag’) which at times explore the depths of bands such as Cirith Ungol and Manilla Road.

‘Sword Of Light’ is a superb song, although, and dare I say it, musically it nods towards a more commercial late-80s vibe, but it’s infectious all the same. Meanwhile, ‘Lament Of A Wanderer’ shifts like Trouble, dragging the listener into an ominous shade, as does ‘Black Riders’ before slipping into a wild rhythm led by Emily’s maniacal cries.

The band really showcase its talent though on epic closer ‘The Forging / Wayland The Smith’, where Archdruid continue with traditional strides, but they also provide a great mixture of tempos resulting in an disruptive finale where Emily’s commands howl with the winds of mayhem alongside the crescendo of guitar and drums. It’s a fine way to end a very consistent and enjoyable album from an outfit that deserves more attention.

Neil Arnold

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