{"id":89901,"date":"2021-05-21T00:00:16","date_gmt":"2021-05-20T23:00:16","guid":{"rendered":"http:\/\/www.metalforcesmagazine.com\/site\/?p=89901"},"modified":"2021-06-30T16:51:58","modified_gmt":"2021-06-30T15:51:58","slug":"album-review-wytch-exordium","status":"publish","type":"post","link":"https:\/\/www.metalforcesmagazine.com\/site\/album-review-wytch-exordium\/","title":{"rendered":"WYTCH &#8211; Exordium (2021) | Album \/ EP Reviews @ Metal Forces Magazine"},"content":{"rendered":"<p><span class=\"title2\"><strong>WYTCH<br \/>Exordium<\/strong><\/span><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" border=\"0\" alt=\"\" height=\"3\" \/><br \/>\n<span class=\"title3\"><span style=\"color: #c80000;\">Ripple Music (2021)<\/span><br \/><strong>Rating: 7\/10<\/strong><\/span><\/p>\n<div class=\"image floatedright\">\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td><img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" width=\"10\" border=\"0\"><\/td>\n<td>\n<div align=\"center\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/uploads\/2021\/06\/wytch_exordium.jpg\" height=\"200\" width=\"200\" border=\"0\"><\/p>\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td>\n<div align=\"left\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<td>\n<div align=\"right\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<p>Hailing from Sweden and starting life as Aska in 2016, Wytch is the latest band to hop onto the occult \/ doom \/ female-fronted bandwagon.<\/p>\n<p>I have to admit to being very sceptical about this debut release from Wytch \u2013 I was curious as to whether it would be any different from the countless other bands on the circuit. And the answer is a resounding&#8230; sort of.<\/p>\n<p>While vocalist Johanna Lundberg has a nice haunting voice, there\u2019s really nothing to distinguish her from a cauldron of similar-sounding bands. But what I will say is that the quintet does have a slightly harder edge to their sound, rather than going on for aeons with sleepy, drone-like sludge.<\/p>\n<p>Thankfully, Wytch do have some seriously good tunes too. Opener \u2018Black Hole\u2019 is a driving powerhouse of a track with a memorable chorus that truly hooks in as Johanna croons, <em>\u201cIt\u2019s getting dark and I cannot take this anymore\u201d<\/em>.<\/p>\n<p>\u2018Savior\u2019 begins slowly, a nice folky trickle of sorts with extra suspense in the music, and then gradually nods with subtlety before a killer riff emerges and rolls nicely. \u201cI am your savior,\u201d beams Johanna \u2013 I\u2019m not totally convinced, but it\u2019s all very pleasant as it strides confidently from the cornfields into the burning sun. And that\u2019s where my heart lies with this. <em>Exordium<\/em>, even with its heavier segments, such as the racy \u2018Evil Heart\u2019 with its full-on rock n\u2019 roll blitz, remains a pleasant experience that I warm to further with each listen.<\/p>\n<p>\u2018Warrior\u2019 rolls nicely in pure oily doom fashion. The feel is bewitching and suspenseful, but it does all sound so familiar as Johanna wails <em>\u201cI\u2019m gonna ride you to the ground&#8230; \u2019til you can\u2019t take anymore\u201d<\/em>, and I\u2019m reminded, strangely, of Glenn Danzig at his most soaring and demonic.<\/p>\n<p>\u2018Blood\u2019 gets it\u2019s psychedelic groove on, and it\u2019s here I\u2019m really appreciative of the twin axe attack of Niklas Viklund and Mattias Marklund; a creative team responsible for these mighty heaps of sharp yet doomy explorations as the backbeat of bassist Simon Lundstr\u00f6m and drummer Fredrik Nilsson provide solid walls of vintage steel.<\/p>\n<p>Elsewhere, \u2018Break You Down\u2019 begins in sassy fashion and I\u2019m already visualising a devilish Burlesque act behind this heavy, nodding groove, while \u2018Rebel\u2019 begins as a sun-baked slice of psych-folk with steamy Doors-esque vibes and wispy vocal glow. Finally, \u2018You\u2019 rounds off the album nicely; a slow-builder with a stark yet almost menacing vocal sigh. And that\u2019s the theme throughout, Wytch being mesmeric and haunting as one would expect from the band moniker. <\/p>\n<p>However, even though every track is memorable, I still wonder if this combo has enough to differentiate it from the glut of similarly ghoulish bands that already fight for competition in the field. All seem to have spawned from the gloriously satanic afterbirth of Coven, but I find that it\u2019s the quality of songs that will separate the wheat from the chaff.<\/p>\n<p>For now though, Wytch are certainly a band to watch and <em>Exordium<\/em> is a very good debut album, even if it showcases a sound lacking any great identity.<\/p>\n<p><strong>Neil Arnold<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>WYTCHExordium Ripple Music (2021)Rating: 7\/10 Hailing from Sweden and starting life as Aska in 2016, Wytch is the latest band to hop onto the occult \/ doom \/ female-fronted bandwagon. I have to admit to being very sceptical about this debut release from Wytch \u2013 I was curious as to whether it would be any [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,4653],"tags":[],"class_list":["post-89901","post","type-post","status-publish","format-standard","hentry","category-album-ep-reviews","category-wytch"],"_links":{"self":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/89901","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/comments?post=89901"}],"version-history":[{"count":1,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/89901\/revisions"}],"predecessor-version":[{"id":89902,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/89901\/revisions\/89902"}],"wp:attachment":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/media?parent=89901"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/categories?post=89901"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/tags?post=89901"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}