{"id":89682,"date":"2021-05-07T00:00:30","date_gmt":"2021-05-06T23:00:30","guid":{"rendered":"http:\/\/www.metalforcesmagazine.com\/site\/?p=89682"},"modified":"2021-06-06T15:39:47","modified_gmt":"2021-06-06T14:39:47","slug":"album-review-solstice-casting-the-die","status":"publish","type":"post","link":"https:\/\/www.metalforcesmagazine.com\/site\/album-review-solstice-casting-the-die\/","title":{"rendered":"SOLSTICE &#8211; Casting The Die (2021) | Album \/ EP Reviews @ Metal Forces Magazine"},"content":{"rendered":"<p><span class=\"title2\"><strong>SOLSTICE<br \/>Casting The Die<\/strong><\/span><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" border=\"0\" alt=\"\" height=\"3\" \/><br \/>\n<span class=\"title3\"><span style=\"color: #c80000;\">Emanzipation Productions (2021)<\/span><br \/><strong>Rating: 7\/10<\/strong><\/span><\/p>\n<div class=\"image floatedright\">\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td><img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" width=\"10\" border=\"0\"><\/td>\n<td>\n<div align=\"center\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/uploads\/2021\/06\/solstice_castingthedie.jpg\" height=\"200\" width=\"200\" border=\"0\"><\/p>\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td>\n<div align=\"left\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<td>\n<div align=\"right\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<p>Twelve years ago, Florida thrashers Solstice released their half-decent third album <em>To Dust<\/em>. It had been the first release from the band since 1995\u2019s <em>Pray<\/em>, and such erratic releases pretty much sums up this act.<\/p>\n<p>These guys began life way back in the 1990 and many will tell you that the band\u2019s self-titled 1992 debut full-length is somewhat of a cult classic. Of course, a lot has changed with the band and the world in general since then; Solstice has split on several occasions with members hopping off to join the likes of the deathlier Malevolent Creation and Cannibal Corpse. However, here we are again, a seemingly world away from the early 90s but with another vicious Solstice opus.<\/p>\n<p>Ryan Taylor, in the band since 2013, is bringing vocal and axe duties alongside bassist Marcel Salas who joined in 2017, but the other half of the band is original members, thankfully, in the form of drummer Alex Marquez and axeman Dennis Mu\u00f1oz who founded the group in 1990 with Rob Barrett, now of Cannibal Corpse fame.<\/p>\n<p>So, what do we get here? Well, first off, I like the cover art and more so I like the speedy blaze of opener \u2018The Altruist\u2019, which features some sublime axe work amidst the hostile speed as the band incorporate a crossover feel alongside a traditional metal tempo before the feisty chugs apply.<\/p>\n<p>Vocally, Ryan Taylor spits and blurts with malevolence, but it is a style that tends to grate after a few tracks; his barks presented as snappy raps of angst as the band hint at groove metal via the mid-to-late 90s, meaning that some of the cuts on offer are a tad generic.<\/p>\n<p>\u2018Transparent\u2019 is an example of that thrashing outburst whereby the band, through all of its speeding intent, does little to find identity. But having said that, it is thrash metal in its purest form; at times muscular, rarely angular, but groove-based to the hilt when not in full throttle.<\/p>\n<p>One of my personal faves on offer is \u2018Who Bleeds Whom\u2019 with its cold, dissonant intro which, as expected, gives way to harsh speed. Elsewhere, \u2018Outlast\u2019 rattles with bony bass clanks and hammering percussion, while \u2018Embellishment Exposed\u2019 just rips with anger. And that\u2019s pretty much the Solstice theme.<\/p>\n<p> However, for me the vocal rants do let it down, because although they bring Solstice into the modern and with extra dollops of 20-something energy, my old fashioned head does at times struggle to deal with the hardcore, punkier edge of cuts like \u2018Ignite\u2019. But there\u2019s no denying the grooves of closer \u2018Scratch\u2019 and the infectious judder of the title track.<\/p>\n<p>It\u2019s hard to believe that this band has spanned over three decades, and yet with so little action it\u2019s no real surprise that Solstice is a different band on each release. But I\u2019ve so much respect for the guys, so I hope they appreciate my views as a fan from the start. Yes, the deathlier edge of the debut is absent, but that was a long time ago, so let\u2019s just hope the band sticks together and allows itself to evolve and recover from that stop-start career.<\/p>\n<p><strong>Neil Arnold<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>SOLSTICECasting The Die Emanzipation Productions (2021)Rating: 7\/10 Twelve years ago, Florida thrashers Solstice released their half-decent third album To Dust. It had been the first release from the band since 1995\u2019s Pray, and such erratic releases pretty much sums up this act. These guys began life way back in the 1990 and many will tell [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,4646],"tags":[],"class_list":["post-89682","post","type-post","status-publish","format-standard","hentry","category-album-ep-reviews","category-solstice"],"_links":{"self":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/89682","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/comments?post=89682"}],"version-history":[{"count":3,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/89682\/revisions"}],"predecessor-version":[{"id":89685,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/89682\/revisions\/89685"}],"wp:attachment":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/media?parent=89682"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/categories?post=89682"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/tags?post=89682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}