{"id":73199,"date":"2018-09-14T00:00:38","date_gmt":"2018-09-14T00:00:38","guid":{"rendered":"http:\/\/www.metalforcesmagazine.com\/site\/?p=73199"},"modified":"2018-10-07T13:40:04","modified_gmt":"2018-10-07T13:40:04","slug":"album-review-conan-existential-void-guardian","status":"publish","type":"post","link":"https:\/\/www.metalforcesmagazine.com\/site\/album-review-conan-existential-void-guardian\/","title":{"rendered":"CONAN &#8211; Existential Void Guardian (2018) | Album \/ EP Reviews @ Metal Forces Magazine"},"content":{"rendered":"<p><span class=\"title2\"><strong>CONAN<br \/>Existential Void Guardian<\/strong><\/span><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" border=\"0\" alt=\"\" height=\"3\" \/><br \/>\n<span class=\"title3\"><span style=\"color: #c80000;\">Napalm (2018)<\/span><br \/><strong>Rating: 7\/10<\/strong><\/span><\/p>\n<div class=\"image floatedright\">\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td><img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" width=\"10\" border=\"0\"><\/td>\n<td>\n<div align=\"center\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/uploads\/2018\/10\/conan_existentialvoidguardian.jpg\" height=\"200\" width=\"200\" border=\"0\"><\/p>\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td>\n<div align=\"left\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<td>\n<div align=\"right\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<p>Emerging from the peat bogs of England is Conan; quicksand grooves and slow-motion slug movers of the apocalypse propelled to your bloodshot eyes by lead track \u2018Volt Thrower\u2019. With its Ralph Bakshi-styled animated video, it presents the band as red-eyed horseman grinding out repetitive riffs which act as a soundtrack to shifting snails.<\/p>\n<p>But in spite of apparent limitations within the track\u2019s structure there\u2019s that effortless yet juddering percussion of new drummer Johnny King, whose kicks, prods and harmful jabs bring the track out of the murk and into the light. The whole song heaves and churns like some mushy bog of delight; bubbling and rolling like some soiled behemoth as the desperate cries of Jon Davis take Ozzy Osbourne\u2019s mournful wails to new, tortured levels.<\/p>\n<p><em>Existential Void Guardian<\/em> is the fourth silted outing from this Scouse troupe; a fetid ensemble that dabbles in dirty fuzz and organic trembles, resulting in thunderous doom that reeks of menace. Everything about this relatively short opus (35-minutes) feels gargantuan, even if it essentially follows familiar current doom metal paths.<\/p>\n<p>There is an air of stoned horror as opener \u2018\u2019Prosper On The Path\u2019 grinds like some slow-moving and bestial Swedish offspring; the once loose, lethal n\u2019 spitting chainsaw riffs slowed to not quite a crawl. Meanwhile, \u2018Eye To Eye To Eye\u2019 provides greasier values; a catchy and insistent monolith with up-tempo punky gallops then slower, heaving segments laced by those ever-wailing vocals.<\/p>\n<p>In a sense it is doom metal kept rather concise and simple; rarely do such rumbling riffs drag the listener into impenetrable mires. Instead, we get infectious traipses based around that booming percussion and those downright dirty soil-coated riffs.<\/p>\n<p>The brief and thrashing mayhem of \u2018Paincantation\u2019 gives way to the laborious ooze of \u2018Amidst The Infinite\u2019, where the guitar sound is a mulch-clogged and backbreaking drone injected by occasional percussive stabs. It\u2019s the slowest lump of mud on the opus as Davis howls <em>\u201cHand that once would crush, frail and weak and wasted, Iron fist now made of bone\u201d<\/em>. It\u2019s far from being eventful in its rather one-dimensional yet suspense filled trudge, but those riffs do soak the ears in sediment.<\/p>\n<p>The same goes for the crushing chug of \u2018Vexxagon\u2019, as the frontman moans <em>\u201cIs this the end of days. Return to vengeful state. Call to arms. Vastness of the void\u201d<\/em>. The riffs then slow to a consuming haze to the heartbeat of the sullen drum plods, and for me it\u2019s the drums that are the star of the show throughout \u2013 King bringing enough bony shots to enable the album to rise beyond a dirty drool of banality.<\/p>\n<p>Closer \u2018Eternal Silent Legend\u2019 toils away with little expression beyond its crawling sludge riffs and distant vocal echoes, but King\u2019s sticks jab away, fending off the heavy clouds of fuzz. And when Davis calls <em>\u201cAching mortals, vying for life\u201d<\/em> I realize how such lyrics are symbolic of Conan\u2019s latest trip, because <em>Existential Void Guardian<\/em> could and should have offered so much more than its rather snoozing, creeping structures; \u2018Volt Thrower\u2019 showcasing the potential of a band that has yet to reach halfway on those mist-enshrouded mountains.<\/p>\n<p>With so many bands coughing out similar aches and pains, Conan\u2019s new born behemoth feels a bit restricted and straight-laced, but I\u2019m sure the crowds of gluey stoners will applaud such motions.<\/p>\n<p><strong>Neil Arnold<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>CONANExistential Void Guardian Napalm (2018)Rating: 7\/10 Emerging from the peat bogs of England is Conan; quicksand grooves and slow-motion slug movers of the apocalypse propelled to your bloodshot eyes by lead track \u2018Volt Thrower\u2019. With its Ralph Bakshi-styled animated video, it presents the band as red-eyed horseman grinding out repetitive riffs which act as a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,4164],"tags":[],"class_list":["post-73199","post","type-post","status-publish","format-standard","hentry","category-album-ep-reviews","category-conan"],"_links":{"self":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/73199","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/comments?post=73199"}],"version-history":[{"count":3,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/73199\/revisions"}],"predecessor-version":[{"id":73202,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/73199\/revisions\/73202"}],"wp:attachment":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/media?parent=73199"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/categories?post=73199"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/tags?post=73199"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}