{"id":7058,"date":"2009-01-20T00:00:11","date_gmt":"2009-01-20T00:00:11","guid":{"rendered":"http:\/\/www.metalforcesmagazine.com\/site\/?p=7058"},"modified":"2013-06-01T14:16:08","modified_gmt":"2013-06-01T14:16:08","slug":"album-review-cattle-decapitation-the-harvest-floor","status":"publish","type":"post","link":"https:\/\/www.metalforcesmagazine.com\/site\/album-review-cattle-decapitation-the-harvest-floor\/","title":{"rendered":"CATTLE DECAPITATION &#8211; The Harvest Floor (2009) | Album \/ EP Reviews @ Metal Forces Magazine"},"content":{"rendered":"<p><span class=\"title2\"><strong>CATTLE DECAPITATION<br \/>The Harvest Floor<\/strong><\/span><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" border=\"0\" alt=\"\" height=\"3\" \/><br \/>\n<span class=\"title3\"><span style=\"color: #c80000;\">Metal Blade (2009)<\/span><br \/><strong>Rating: 9.5\/10<\/strong><\/span><\/p>\n<div class=\"image floatedright\">\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td><img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" width=\"10\" border=\"0\"><\/td>\n<td>\n<div align=\"center\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/uploads\/2012\/10\/cattledecapitation_theharvestfloor.jpg\" height=\"200\" width=\"200\" border=\"0\"><\/p>\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td>\n<div align=\"left\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<td>\n<div align=\"right\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<p>Many, many years ago I was the editor of an online magazine and one of my writers had been talking with a new label we were interested in working with. He had gotten a package of new releases from them and he was going out of his mind over one particular band. He gently placed the seven-inch vinyl on the turntable and told me that nothing he could say could serve as sufficient warning for what I was about to hear. He was absolutely right. The label was independent stalwart Three.One.G and the seven-inch was Cattle Decapitation\u2019s <em>Human Jerky<\/em> (1999).<\/p>\n<p>To this day the very same San Diego, California-based band continues to defy categorization every time they release something new. They lead an almost supernatural existence within the generic context of extreme music and their latest offering, <em>The Harvest Floor<\/em>, elevates them to a new plane of existence. They are so much more than \u201cextreme music\u201d.<\/p>\n<p><em>The Harvest Floor<\/em> is an accomplished record. I\u2019m not sure I have ever said that about a record this heavy, but, in a similar fashion to related band The Locust, Cattle Decapitation have gotten much better with age. At first they were a brutal mess that pulled you in out of pure intrigue, but now they pull you in because of their amazing control of their instruments. For example, tracks like \u2018In Axestasy\u2019 and \u2018We Are Horrible People\u2019 should sound like a sonic mess. There are so many things happening on so many different levels in both songs that they simply shouldn\u2019t work. Somehow the band manages to harness everything, keeping it on a lengthy leash, but a leash none the less. The result is a (gasp!) dynamic, interesting, and wildly brutal duo of songs that rank among the bands best to date. Inaugural track \u2018The Gardeners Of Eden\u2019 and \u2018The Product Alive\u2019 are excellent as well, allowing some brief melodic guitar moments to seep in and surprise you in the most welcome way. <\/p>\n<p>It\u2019s the atmospheric title track and its follow-up, \u2018Regret And The Grave,\u2019 that blow your mind though. After \u2018The Harvest Floor\u2019 grasps your attention with its low key, instrumental sound \u2018Regret And The Grave\u2019 opens with strings and harmonies before unleashing its inner beast to rip your face off. Vocalist Travis Ryan utilizes what seems like a hundred or so different voices here and it\u2019s downright creepy. Clocking in at about eight minutes total, this pairing could well be called epic. This is a long way from the days when Cattle Decapitation songs clocked in well under a minute each. <\/p>\n<p>If you have never heard Cattle Decapitation before, then <em>The Harvest Floor<\/em> should be your jumping off point. While <em>Karma.Bloody.Karma<\/em> (2006) sounded like a band with nothing new to say, this album is the sound of grown-ups reclaiming the unbridled passion of <em>Humanure<\/em> (2004). The songs are exactly right for once and the band fully realises their potential. <em>The Harvest Floor<\/em> is the album Cattle Decapitation will be remembered for.<\/p>\n<p><strong>Mark Fisher<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>CATTLE DECAPITATIONThe Harvest Floor Metal Blade (2009)Rating: 9.5\/10 Many, many years ago I was the editor of an online magazine and one of my writers had been talking with a new label we were interested in working with. He had gotten a package of new releases from them and he was going out of his [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[316],"tags":[],"class_list":["post-7058","post","type-post","status-publish","format-standard","hentry","category-cattle-decapitation"],"_links":{"self":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/7058","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/comments?post=7058"}],"version-history":[{"count":4,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/7058\/revisions"}],"predecessor-version":[{"id":12001,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/7058\/revisions\/12001"}],"wp:attachment":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/media?parent=7058"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/categories?post=7058"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/tags?post=7058"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}