{"id":68611,"date":"2018-04-27T00:00:23","date_gmt":"2018-04-27T00:00:23","guid":{"rendered":"http:\/\/www.metalforcesmagazine.com\/site\/?p=68611"},"modified":"2018-05-03T01:28:02","modified_gmt":"2018-05-03T01:28:02","slug":"album-review-crystal-ball-crystallizer","status":"publish","type":"post","link":"https:\/\/www.metalforcesmagazine.com\/site\/album-review-crystal-ball-crystallizer\/","title":{"rendered":"CRYSTAL BALL &#8211; Crystallizer (2018) | Album \/ EP Reviews @ Metal Forces Magazine"},"content":{"rendered":"<p><span class=\"title2\"><strong>CRYSTAL BALL<br \/>Crystallizer<\/strong><\/span><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" border=\"0\" alt=\"\" height=\"3\" \/><br \/>\n<span class=\"title3\"><span style=\"color: #c80000;\">Massacre (2018)<\/span><br \/><strong>Rating: 6.5\/10<\/strong><\/span><\/p>\n<div class=\"image floatedright\">\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td><img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" width=\"10\" border=\"0\"><\/td>\n<td>\n<div align=\"center\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/uploads\/2018\/04\/crystalball_crystallizer.jpg\" height=\"200\" width=\"200\" border=\"0\"><\/p>\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td>\n<div align=\"left\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<td>\n<div align=\"right\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<p>Considering these Swiss metallers started life out as a metal covers band named Cherry Pie, Crystal Ball have certainly come a long way. <em>Crystallizer<\/em> is the band\u2019s tenth full-length recording, and die-hard fans of this well-polished style of power metal will not be disappointed.<\/p>\n<p>However, new fans may find such a record an all too familiar traipse through the avenues of steely European metal, whereby clich\u00e9s litter every path. But what else were you expecting?<\/p>\n<p>The power metal field from a European perspective is a jam-packed cauldron indeed, with a case of survival of the fittest coming to the fore. And so within that competitive bandwagon you\u2019ll find Crystal Ball\u2019s latest offering a rather nice, easy-on-the-ear glossy trudge. The powerful, reaching vocals of Steven Mageney provide a metallic sheen to proceedings, coating the already glacial aspects of what is another well-constructed, neo-Gothic metal romp that is built upon the sturdy guitar plateau of Scott Leach and ex-Krokus axe-man Tony \u201cT.C.\u201d Castell.<\/p>\n<p>Only two years have passed since the band\u2019s last offering, 2016\u2019s <em>D\u00e9j\u00e0-Voodoo<\/em>, and you can expect more steady snowdrifts as the quintet eases its way through a collection of nifty, airy metal stompers.<\/p>\n<p>The album opens with the steady jog of the title track, which is laced with a sizzling solo and the expected potent wails, although lyrically it\u2019s rather na\u00efve and awkward sounding. The track does build nicely to a fist-pumping, Judas Priest-like shouted chorus, but as a song to kick the album off it\u2019s rather disappointing. And so too is the next track, the plodding \u2018Curtain Call\u2019, which is a rather generic power metal traipse featuring a gothic, punchy chorus but again lacking any real edge.<\/p>\n<p>But it\u2019s with \u2018Alive For Evermore\u2019 where the album finally picks up the pace. Here, the percussion of Marcel Sardella is full of bite, although as with so much of this stuff the quintessentially European vocal slant seems to smother that bite and gives the whole album a cheesy coating, but it\u2019s still a good track. As is \u2018S.O.S.\u2019 with its galloping entrance and hefty bass licks from Cris \u201cIron\u201d Stone.<\/p>\n<p>Things do quickly become predictable, but within that generic format there are still a few gems to behold. \u2018Crazy InThe Night\u2019 varies the tempo and succeeds mostly because Steve Mageney\u2019s vocals seem to be given extra oomph over that steady rhythm, while power ballad \u2018Let Her Go With Love\u2019 is a nice, snowy moment of the grandiose.<\/p>\n<p>But for a true metal juggernaut, then look no further than the excellent groove of \u2018Death On Holy Ground\u2019. If only the band could provide a whole album full of these sorts of tracks, because although contemporary by design in that they combine power metal with groove metal it\u2019s still a rollicking, epic song that builds until a contagious, dramatic chorus. Damn, it\u2019s like a marrying of Pantera, Judas Priest, and Dio. \u2018Dusty Deadly\u2019 also has an impact with its steely chug.<\/p>\n<p>So Crystal Ball\u2019s latest venture is one of frosty familiarity, featuring enough solid power metal and well-constructed passages that you can\u2019t really go wrong it if it\u2019s tame, harmless power rock you\u2019re after. <\/p>\n<p><strong>Neil Arnold<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>CRYSTAL BALLCrystallizer Massacre (2018)Rating: 6.5\/10 Considering these Swiss metallers started life out as a metal covers band named Cherry Pie, Crystal Ball have certainly come a long way. Crystallizer is the band\u2019s tenth full-length recording, and die-hard fans of this well-polished style of power metal will not be disappointed. However, new fans may find such [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,3955],"tags":[],"class_list":["post-68611","post","type-post","status-publish","format-standard","hentry","category-album-ep-reviews","category-crystal-ball"],"_links":{"self":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/68611","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/comments?post=68611"}],"version-history":[{"count":1,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/68611\/revisions"}],"predecessor-version":[{"id":68612,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/68611\/revisions\/68612"}],"wp:attachment":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/media?parent=68611"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/categories?post=68611"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/tags?post=68611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}