{"id":4738,"date":"2012-03-30T00:00:25","date_gmt":"2012-03-30T00:00:25","guid":{"rendered":"http:\/\/www.metalforcesmagazine.com\/site\/?p=4738"},"modified":"2015-06-16T00:02:27","modified_gmt":"2015-06-16T00:02:27","slug":"feature-unisonic-03-12","status":"publish","type":"post","link":"https:\/\/www.metalforcesmagazine.com\/site\/feature-unisonic-03-12\/","title":{"rendered":"UNISONIC – Never Too Late (March 2012) | Features \/ Interviews @ Metal Forces Magazine"},"content":{"rendered":"

UNISONIC – Never Too Late<\/strong><\/span>
\nAnthony Morgan<\/span>
\nMarch 2012<\/span><\/p>\n

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Unisonic (l-r): Kai Hansen, Dennis Ward, Michael Kiske, Kosta Zafiriou and Mandy
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The brainchild of ex-Helloween vocalist Michael Kiske and Pink Cream 69 bassist Dennis Ward, Unisonic formed in November 2009 following a meeting between the two as well as ex-Pink Cream 69 drummer Kosta Zafiriou. The trio had previously cut the full-length albums Place Vendome<\/em> (October 2005) and Streets Of Fire<\/em> (February 2009) for Italian record label Frontiers Music Srl as members of Place Vendome, an AOR project founded by label president Serafino Perugino. <\/p>\n

\u201cI knew that he was capable of producing well, and arranging songs and stuff \u2013 he had lots of skills,\u201d enthuses Michael Kiske, vocalist and co-founder of Unisonic. \u201cWe were fooling around via email that we should do something together, but it didn\u2019t happen until we had a meeting. Kosta was approaching me basically from the management side saying \u2018We don\u2019t think you\u2019ve been properly managed in the past couple of years,\u2019 which was very true. I did not have any management. I was managed by Rod Smallwood for a long time, which is a guy I really like. The reason why we didn\u2019t work together anymore was not because of personal things or whatever, but because he just didn\u2019t know how to handle me. I wasn\u2019t managed by them from 1998 onwards or something like that, and from that end it was very true. I was not managed, and then that thing of making a real band again came up. <\/p>\n

\u201cDennis and me immediately had Mandy Meyer (ex-Krokus) in mind; he knew him from I don\u2019t know where, but he just knew him, liked him, and thought he was just a perfect guitar player. I think that was really true because Mandy is just a very sweet person, big-hearted, very gifted, and easy to be with, and that is always good in a band. That was that four-piece band, and we started to write some songs and even did a little bit of live playing. We played like two festivals in 2010; we played Sweden Rock and Masters Of Rock, mainly Place Vendome material and just a couple of tracks from Unisonic because we were just not ready then. We were writing but it was going slow, so in 2010 I personally started to think of another guitar player. I thought we needed another creative force \u2013 another songwriter \u2013 because it was just going too slow, but at that time I was not thinking of Kai for some reason. I didn\u2019t think he would be interested. <\/p>\n

\u201cI also have a good relationship with Kai, and not many know that. Even when he left the band we were still pretty okay. We didn\u2019t hang out every night or whatever, and we didn\u2019t do anything together musically apart from him helping me out with my first solo record (Instant Clarity<\/em>, August 1996) together with Adrian Smith (Iron Maiden guitarist) and me singing on the fourth Gamma Ray record (Land Of The Free<\/em>, May 1995). We didn\u2019t do much, but we were okay. We liked each other and when we saw each other there was always a good vibe going on, but we were not thinking about doing something together until we were onstage together with Avantasia in 2010. Before Kai I had a friend of mine in mind as a guitar player (Sandro Giampietro); a very strong individual, a great musician, and a guy who\u2019s helped me out on a couple of records I\u2019ve done in the past, but I think Kosta was really scared of him (laughs). He\u2019s some kind of a person; he\u2019s very different, very original, very funny, very friendly, but different. Kosta was a little bit scared of him so that didn\u2019t happen, but when I was onstage with Kai on the Avantasia tour it brought us to different countries.<\/p>\n

\u201cWe played a show in Tokyo, we played one show in Mexico, one in Brazil, one in Argentina, and we played Sweden, Switzerland, and Germany of course. It was a lot of travelling, but there was just a very, very nice chemistry going on between me and Kai which I had almost forgotten about. We started talking backstage \u2018We should do something together again because it just feels right\u2019 and we just didn\u2019t know how, but at that time again Unisonic just didn\u2019t come up. <\/p>\n

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Kai Hansen and Michael Kiske<\/b><\/span><\/div>\n<\/td>\n
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\u201cI don\u2019t know why, but after awhile when we found out we don\u2019t wanna do another project Kai made it very clear if we wanted to do something we gotta do one real thing. He suggested me joining Gamma Ray which I didn\u2019t really wanna do, because I didn\u2019t wanna join a band with a 20-year history. You always piss someone off, and to a certain extent it\u2019s also a bit too much for me is Gamma Ray. I like some of the material, but other material is just a bit too heavy for me to a certain extent. One of the guys said \u2018We still have just one guitar player in Unisonic,\u2019 and then it clicked for me. I thought \u2018That\u2019s it\u2019 because Kai\u2019s presence adds that extra edge \u2013 that extraordinariness \u2013 to Unisonic that I thought was missing. Now he\u2019s in the band and we started working on that first record, he\u2019s proving me right. He fits into the band very well.\u201d<\/p>\n

Unisonic\u2019s moniker surfaced through the amalgamation of two potential names. \u201cIf you ever try to make a band and you try to find a name, you know how painful it is to find a decent name everybody is happy with,\u201d the frontman laments. \u201cWe had a lot of stupid names and we had okay names, and we even had some stupid names which everybody else liked which was scary (laughs). It\u2019s just the way it is sometimes though. I thought we would never find a name, but then in the end we ended up with two names; one was something Unison, and the other one was Sonic blah blah blah. I\u2019ve forgotten about the other half of them, and Kosta was just putting both parts of it together. It made it Unisonic, and I really liked that \u2013 I thought that was great. <\/p>\n

\u201cIt has a nice meaning, being sonic in unison or universally sonic. It doesn\u2019t sound overblown, and it\u2019s hard to put in a box. Judging by the band\u2019s name, you cannot say if it is rock or pop or metal or whatever. I really like that name and I also like the logo very much, but it took awhile to get there. When that name came up though I was mainly the only one that was totally convinced that this was a good name, but after awhile everybody was and the same with the logo when the guy made that logo. He\u2019s also done Backstreet Boys logos and things like that so he\u2019s a pretty famous guy who did the logo, and I loved it right away. I thought it looked really great.\u201d<\/p>\n

Studio projects have consumed much of Michael\u2019s time of late, something the German is fed up of, instead wishing to hit the live circuit. \u201cThat\u2019s a good way of putting it,\u201d he agrees. \u201cI had a break from live performances for almost 17 years, and I was pretty fed up with everything to be honest. For the first number of years I was totally frustrated and I hated everything because of just bad experiences, and too many bad experiences just summed up one big \u2018Leave me alone.\u2019 After awhile I got better though, and Place Vendome and Avantasia got me into that type of music slowly again. Yes, I was very fed up with just doing studio things and just doing vocals for records and whatever. Even doing solo records, even though it\u2019s a great thing to do. You learn a lot, but a band is just a whole different world.\u201d<\/p>\n

Given the Great Recession that has blighted the music industry since the late 2000s, it\u2019s theoretically more difficult to organise live performances nowadays. \u201cWell, I don\u2019t know,\u201d the singer muses. \u201cI\u2019m not confronted with everything that\u2019s connected with the business side these days, but it feels pretty much the same right now. I don\u2019t know if I\u2019ll say the same thing in two years but so far there\u2019s a lot of interest, especially now that Kai and me are back together. That has created interest. We\u2019ll have to see what happens, but at the moment we didn\u2019t plan to overkill live playing anyway. We wanna do that very controlled and not overkill it, but so far so good. We\u2019ll just see what happens.\u201d<\/p>\n

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Unisonic (l-r): Kosta Zafiriou, Dennis Ward, Michael Kiske, Kai Hansen and Mandy
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Gamma Ray mainman Kai Hansen \u2013 also formerly of Helloween \u2013 as well as Dennis are Unisonic\u2019s key songwriters. \u201cWhen I write songs, they\u2019re usually very different to what Kai writes,\u201d Michael reckons. \u201cHe really is a metal and rock songwriter whereas I\u2019m just a songwriter. I just write melodies; I think it works best when I keep it very simple with acoustic instruments or whatever, more like a singer \/ songwriter kind of approach to it than hard rock or whatever. Some of my stuff I bring to the rehearsal room and play to them you can make a rock song out of and some you can\u2019t, and whatever works we will do with Unisonic. Kai and Dennis are the key songwriters when it comes to that though, and then comes Mandy who also has great ideas here and there. Then there\u2019s me if I have an idea that fits.\u201d<\/p>\n

The swansong cut on Unisonic\u2019s inaugural self-titled record, \u2018No One Ever Sees Me\u2019 was composed by the co-founder. \u201cYou can see \u2018No One Ever Sees Me\u2019 is very different,\u201d he feels. \u201cThey all liked it, and Dennis simplified it. I had it much more complicated, but he just made it a simpler arrangement. I had all the parts, but he made it an arrangement which works. The rest is really from the other guys though. I had lyrics for another one which I think will just be a bonus track on some of the special editions or whatever, and it had my input of course here and there. Nothing worth mentioning in terms of credits or anything.<\/p>\n

\u201cIt\u2019s about a girl from countries where they\u2019re more or less the property of man in a very inhuman way, Muslim countries or India where they have certain traditions that totally take the freedom of women and girls. The parents decide who they marry. Over here in Germany we have Turkish people; of course not all of them, but some of those hold onto their old traditions where the brothers kill their sister. Or the father kills the daughter because she\u2019s together with a guy that she loves instead of with who they decided she should marry and stuff, which is pretty strange to me. I don\u2019t get it. Traditions are fine to me and I\u2019m okay with different mentalities and religions or whatever, but when it comes to inhumanity in that way it doesn\u2019t work. <\/p>\n

\u201cI had the idea of that song and those lyrics when I was watching an Indian father on TV talking about a young daughter of his. He was old, and he said in words \u2018I am going to decide who she\u2019s gonna marry, and if she starts talking about love I\u2019ll kill her with my own hands.\u2019 He thought it was totally justified. I was kind of shocked how a father could talk about his own daughter like that. This cannot be love, this is not love. I don\u2019t know what it is, but it\u2019s weird. That\u2019s what this song is about. It\u2019s actually from the girl\u2019s perspective in a way, and those girls are actually alright with it most of the time because they just grew up like that. They grew up not developing their own personality and their own identity, so they feel that it\u2019s okay that they\u2019re just property.\u201d<\/p>\n

Spiritual topics have been the subject of past material authored by Michael. \u201cCertain spiritual things that I\u2019ve dealt with have made their way into tracks, but I try to hide it sometimes by not being too precise,\u201d he reveals. \u201cWhen I\u2019m writing about something it\u2019s gotta be something that I care about, not sex, drugs, rock \u2019n\u2019 roll, living fast, and dying young.\u201d<\/p>\n

At the time of writing, the frontman hasn\u2019t fathered any children. \u201cMy brother lives not in the same house but in the same building as me; they have their own apartment, and they have a daughter,\u201d he discloses. \u201cAlso my best friend has three children so I\u2019m usually surrounded by children a lot, but I don\u2019t have kids myself.\u201d<\/p>\n

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That isn\u2019t to say Michael has never fancied becoming a father, however. \u201cI haven\u2019t found the right girl, honestly,\u201d he confesses. \u201cI lived together for 23 years with a girl that ended three years ago and we were already in trouble before then but we\u2019re still friends, really good friends. That\u2019s why we didn\u2019t end it, but I\u2019m happy that we didn\u2019t have kids because they would be suffering now. You need to have the right girl for that, and I was not lucky when it comes to that. I was not lucky.\u201d<\/p>\n

The tracks \u2018Over The Rainbow\u2019 and \u2018The Morning After\u2019 comprise the self-titled effort\u2019s bonus material. \u201cOn the standard version there are 11 tracks,\u201d the singer confirms. \u201cThere\u2019s one extra track I think on the Asian special edition, and then another extra track on the European special edition. There\u2019s one song called \u2018Over The Rainbow\u2019 which is a track from Kai; he had that one for awhile, and it\u2019s a bit of a Scorpions, Jimi Hendrix type of song. A very slow song but beautiful, and with strong lyrics too. It turned out very nice. For some reason most record labels always want bonus tracks, so you have to sacrifice a track for certain countries. I don\u2019t like that stuff at all, but it\u2019s the way they want it. There\u2019s not much you can do if they want it. The other track is called \u2018The Morning After\u2019, and that\u2019s a straightforward melodic rock \u2019n\u2019 roll song which could also be on a Place Vendome record. It\u2019s written by Dennis, and it has his handwriting.\u201d<\/p>\n

Characteristically speaking, Michael surmises that Unisonic\u2019s members are individually \u201cvery, very different people. Totally different. It\u2019s interesting to see that it even works \u2013 in every way actually different \u2013 and that makes it all very colourful. I wrote something that you can hear is totally different to everyone else\u2019s, and Kai\u2019s songwriting is also very different to Dennis\u2019 songwriting. For some reason though \u2013 which we\u2019re very lucky for \u2013 Kai and Dennis work together very well. They\u2019re really creative. They have a saying here in Germany… I don\u2019t know if you have that over there in the UK but they throw balls to each other, like throwing a ball to the other person. This means that creatively they just work together very nicely; one has an idea, throws it over to the other one, and vice versa. <\/p>\n

\u201cThey really nicely work together, and a good example is the track \u2018Star Rider\u2019. Dennis had that song for awhile; he had very nice verses and it was a great bridge, but the chorus wasn\u2019t very strong. I thought it would never make the record because I only liked the verses and the bridges, and Kai heard that song and felt the same. He said \u2018I don\u2019t like the chorus. What if we do it like this?\u2019 Within 20 seconds he wrote a chorus for it, and now it\u2019s one of the strongest songs on the album in my opinion. That\u2019s how they both work together very nicely.\u201d<\/p>\n

One specific location didn\u2019t play host to recording sessions. \u201cDennis and Kosta have been playing since their teenage years,\u201d the co-founder notes. \u201cIt was recorded in different locations; they recorded the drums I think in Belgium somewhere, and the guitars somewhere else. Obviously now in the internet ages where everybody has decent studio equipment in their home, you also do a bit of the stuff at home. You have the freedom of your time schedule. I personally don\u2019t like it when people talk into my vocals, and I can really get angry when people try to do that. I think it\u2019s wrong; if you as a singer don\u2019t know how to feel the song \u2013 how to express the song \u2013 then don\u2019t sing it. You have to fool around with it until you feel comfortable with it, and then you have to capture the moment. <\/p>\n

\u201cWhen I do a guest appearance on anything for example and they want me to do vocals, I make it very clear that I do vocals the way I want to. You sing a rough vocal so you know what the melody is like, and then I do my thing. I just don\u2019t believe in the concept of a singer standing in the studio, and someone else telling the singer how to sing a song. If you\u2019re insecure about a song and don\u2019t know how to do it then maybe that helps, but if you have grown as an artist then you know what you\u2019re doing anyway. Sometimes it\u2019s good to play it to someone if you\u2019re not sure yourself, and you\u2019re not convinced about it but don\u2019t know what to change. It sometimes helps if you play it to someone you trust, and ask \u2018What do you think? What do you think about this performance? Does it convince you?\u2019 Maybe that helps, but in general I know what I\u2019m doing. I just need to practice a song, get a feel for it, and then I do a performance. Maybe it\u2019s just one evening where I fool around with the song, or maybe I need two or three evenings. You don\u2019t sing longer than two hours maybe anyway or maybe three if you take a lot of time, but usually it just takes awhile to get into the song and when I think it\u2019s right it\u2019s right.<\/p>\n

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\u201cI\u2019m not talking about creative things like melodies or whatever, because of course you gotta be open to changes and stuff like that. That\u2019s just arrangement, but when it comes to performance you have to do your thing. You have to be yourself, and that\u2019s why I\u2019m doing vocals usually in my little home studio whenever I feel like that. If I feel like singing a song in the morning then I do that, and if it doesn\u2019t tick then I do it in the evening. As long as you work and you get some stuff done, I think that works. I think Kai did a few overdubs in his own place. With the main guitarist Dennis who\u2019s the producer of the album, some overdubs happened at home and stuff with just the mix of things. Before we started to record, of course we worked everything out as a band in the rehearsal room because that\u2019s very necessary. We did that with every song until we were happy with it.\u201d<\/p>\n

Gut instinct plays a central role in recording vocal parts. \u201cYou always have to feel comfortable about it,\u201d Michael reminds. \u201cYou should never think about what others want to hear just because that doesn\u2019t work. You don\u2019t know what anyone else wants to hear, and you shouldn\u2019t become a puppet of anyone else. You just sing the song and as soon as it convinces you there\u2019s a chance that it might convince others, but don\u2019t try to please others because then you\u2019re just a puppet. You\u2019re not yourself, and you cannot have an identity in music in general like that. You have to convince yourself. You have to write a song and change it until you think it\u2019s cool \u2013 it works \u2013 and that it\u2019s fun to do. You then try to capture a good moment while you\u2019re singing the song. That\u2019s the best you can do.\u201d<\/p>\n

A music video was filmed for group anthem \u2018Unisonic\u2019 at a ballroom in Heidelberg, Germany. \u201cIt was quite expensive, actually,\u201d the frontman observes. \u201cWe did it with a guy called Martin H\u00e4usler who\u2019s done a lot of videos. Even for Britney Spears I think, which is a totally different world. He\u2019s quite a known person when it comes to making artwork, and videos. We did it in a very old German building which is a few hundred years old, very beautiful, which has a theatre in it. It was mainly live performance, but also some other shots. It turned out pretty good, nice, and energetic.\u201d<\/p>\n

Each Unisonic member has outside group commitments, causing one to wonder how active as a live unit the quintet will be. \u201cIt will depend on how well Unisonic does,\u201d Michael gauges. \u201cIf we really are a band that everybody wants to see live and we get all these touring offers in, then there\u2019ll be more live playing. If there are less, it\u2019ll be less. We all have other things that we also like to do, but the main priority is Unisonic at the moment. We will make time for Kai to be able to concentrate on Gamma Ray when he needs to, but it\u2019ll depend on how it does; how the record sells, and how much people wanna see us. We\u2019ll see what comes. As I said earlier, we don\u2019t wanna overkill. I like to play live a lot because I haven\u2019t been doing this for ages, but I also know that when you tour for a couple of weeks you quickly get tired. Even though now I\u2019m hungry for it and I can\u2019t wait to get to South America for instance to do those ten shows or however many we will do there, I also know that when you\u2019re on the road for two or three months you get sick of it. It\u2019s good if we don\u2019t overkill it, which usually makes a band last longer.\u201d<\/p>\n

A live setlist will inevitably fail to consist of solely Unisonic tunes. \u201cThere\u2019s not much to choose from because we only have one record, so we have to play pretty much the whole record if we can and if it works,\u201d the singer explains. \u201cOf course now that Kai and me are together in a band and we wrote so many tracks from the Keeper records (May 1987\u2019s Keeper of the Seven Keys, Pt. 1<\/em> and September 1988\u2019s Keeper of the Seven Keys, Pt. 2<\/em>) for instance, we have to do a couple of those as a bonus. Of course we only play those that we\u2019ve written. I saw Noel Gallagher for instance here in Hamburg recently (Sporthalle, March 8th), and of course at the end he was playing some of his biggest Oasis hits that he had written. Why shouldn\u2019t he? It\u2019s his music, and the same goes for me and Kai since we need some other material. We know that a lot of the fans will be happy when they hear them, and they will sound a lot like the originals since I sung them on the original records and Kai played the guitar on them. We always sound a lot like the original thing and we just have to do it, so there will be a couple of Helloween classics more towards the end I guess.\u201d<\/p>\n

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Helloween 1987 (l-r): Michael Weikath, Markus Grosskopf, Ingo Schwichtenberg,
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Certain vintage Helloween staples are a particular joy to perform. \u201cSome were a pain in the ass, even in the early days,\u201d Michael remembers. \u201cEven when I was 20 years old they were a pain in the ass to sing. I remember that, like \u2018March Of Time\u2019 for some reason. That one was always very difficult. I always loved singing \u2018Eagle Fly Free\u2019, which unfortunately was written by Michael Weikath (laughs). We won\u2019t do that one, but that one was one of my all-time favourites because it was great to sing. Especially if you started a show with that track, you couldn\u2019t really lose anymore. It was just great. \u2018I Want Out\u2019 we\u2019ll do, and that one is nice to sing. We might do \u2018I\u2019m Alive\u2019, probably \u2018A Little Time\u2019, and maybe even \u2018Kids Of The Century\u2019 (from March 1991\u2019s Pink Bubbles Go Ape<\/em>) even though that track was after Kai. It\u2019s one of mine, and I think it\u2019s a good number. We\u2019ll see.\u201d<\/p>\n

Following recording sessions for the band\u2019s self-titled affair, no other material has been composed. \u201cThere was not much time,\u201d the co-founder cites. \u201cI finished the last recording bits, and then right away had to jump into promotion. There were a lot of interview requests which we\u2019re happy about, but it was a lot of work. We were just incredibly tired. For two weeks we were travelling Europe; we were in England, France, Spain and so on, and we did lots of interviews. TV, radio, and face-to-face interviews and whatever. It sucked a lot of the time. When you\u2019ve just finished a record you don\u2019t wanna get back into writing right away; you just wanna have a bit of time off, play live, get a bit of feedback, and then the songs come after awhile.\u201d<\/p>\n

A fifth Michael Kiske solo album is on the horizon, though. \u201cI don\u2019t really have a head for another solo record at the moment, but I have decided to do that with that friend I was talking about earlier \u2013 Sandro Giampietro,\u201d he announces. \u201cWe want it to be a very live record and a fun recording. I have a whole lot of songs which Unisonic didn\u2019t care much about which I will be doing with him. We will try to give it a nice, live acoustic feel. I\u2019m pretty sure it\u2019s gonna be a very cool record, not so much for metal audiences but some of them are quite open too. Others will probably ignore it, but that\u2019s okay. I\u2019m sure we\u2019ll record it in the summer; when the summer\u2019s over, I\u2019m sure that\u2019ll be done. I\u2019m not sure when it will be released but I still have a contract running for that one, so I have to do that anyway. I\u2019ll be doing that.\u201d<\/p>\n

Unisonic<\/em> was released in Japan on March 21st, 2012 through Marquee \/ Avalon Records, and subsequently in Europe on the 30th through earMUSIC \/ Edel Group.<\/p>\n

Interview published in March 2012. Unisonic promotional photographs by Martin H\u00e4usler. Live photographs taken at Loud Park 2011 and used with permission.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

UNISONIC – Never Too Late Anthony Morgan March 2012 Unisonic (l-r): Kai Hansen, Dennis Ward, Michael Kiske, Kosta Zafiriou and Mandy Meyer The brainchild of ex-Helloween vocalist Michael Kiske and Pink Cream 69 bassist Dennis Ward, Unisonic formed in November 2009 following a meeting between the two as well as ex-Pink Cream 69 drummer Kosta […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[255],"tags":[],"class_list":["post-4738","post","type-post","status-publish","format-standard","hentry","category-unisonic"],"_links":{"self":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/4738","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/comments?post=4738"}],"version-history":[{"count":9,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/4738\/revisions"}],"predecessor-version":[{"id":4758,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/4738\/revisions\/4758"}],"wp:attachment":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/media?parent=4738"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/categories?post=4738"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/tags?post=4738"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}