{"id":33854,"date":"2015-06-12T00:00:29","date_gmt":"2015-06-12T00:00:29","guid":{"rendered":"http:\/\/www.metalforcesmagazine.com\/site\/?p=33854"},"modified":"2015-07-14T19:03:32","modified_gmt":"2015-07-14T19:03:32","slug":"album-review-stormhammer-echoes-of-a-lost-paradise","status":"publish","type":"post","link":"https:\/\/www.metalforcesmagazine.com\/site\/album-review-stormhammer-echoes-of-a-lost-paradise\/","title":{"rendered":"STORMHAMMER &#8211; Echoes Of A Lost Paradise (2015) | Album \/ EP Reviews @ Metal Forces Magazine"},"content":{"rendered":"<p><span class=\"title2\"><strong>STORMHAMMER<br \/>Echoes Of A Lost Paradise<\/strong><\/span><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" border=\"0\" alt=\"\" height=\"3\" \/><br \/>\n<span class=\"title3\"><span style=\"color: #c80000;\">Massacre (2015)<\/span><br \/><strong>Rating: 7\/10<\/strong><\/span><\/p>\n<div class=\"image floatedright\">\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td><img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" width=\"10\" border=\"0\"><\/td>\n<td>\n<div align=\"center\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/uploads\/2015\/07\/stormhammer_echoesofalostparadise.jpg\" height=\"200\" width=\"200\" border=\"0\"><\/p>\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td>\n<div align=\"left\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<td>\n<div align=\"right\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<p>Germany\u2019s StormHammer have previously been known as Lizard and Steamhammer and are on their fifth full-length release. The band has been active since the early 90s but each and every one of their five studio albums has emerged this side of the millennium, although it\u2019s been some six years since the last album which was 2009\u2019s <em>Signs Of Revolution<\/em>.<\/p>\n<p>The band\u2019s current line-up features two relatively new members in the form of lead guitarist Bernd Intveen (ex-Folkearth) who joined in 2013 and more importantly vocalist J\u00fcrgen Dachl (ex-Diabolus Dust), whose talents were enlisted in 2014. <\/p>\n<p>It\u2019s fair to say that since their inception StormHammer has seen numerous vocal alterations, the band getting through some six singers which can\u2019t be good for the stability, especially when one also considers that guitarists, drummers and keyboardists have also come and gone at quite a rate over the years too. Hopefully though, it\u2019s time to put such formation shake-ups to one side and concentrate on the \u201cnow\u201d with <em>Echoes Of A Lost Paradise<\/em>; an hour-long, 12-track composition boasting the original duo of bassist Horst Tessmann and rhythm guitarist Manny Ewender, who are also joined by drummer Chris Widmann \u2013 the latter returning to the fold after a six-year absence. <\/p>\n<p>The album marches into the ear canal on the militant, battle-worn throbs of \u2018Remembrance\u2019 \u2013 a brief instrumental rally \u2013 which then leads us into the epic strains of \u2018Glory Halls Of Valhalla\u2019; a slow-building soundtrack of trickling drums, sparse guitar plucks and Dachl\u2019s commanding narration. Admittedly the anticipation begins to kill me, but then the outfit finally lurches into a driving, thrash-edged example of power metal and it is rather engaging.<\/p>\n<p>This time round StormHammer execute their tunes with more conviction, and this is vital to their staying power because not only have the many line-up changes affected them, but it\u2019s also fair to say that the band\u2019s back catalogue is not that impressive. But with \u2018Glory Halls Of Valhalla\u2019 there\u2019s a nice metallic niftiness about proceedings; the band combining brooding power metal aesthetics with energetic thrash clods which hint at a late 80s design. Couple this with some atmospheric subtlety and scorching leads and we have ourselves a bona-fide power metal extravaganza.<\/p>\n<p>Musically, there are hints to classic Metallica \u2013 especially with the introduction of \u2018Fast Life\u2019 \u2013 but when the pace shifts this becomes muscular yet breezy power metal, and I\u2019m thankful because I\u2019m often tired by the rather predictable chest-pounding nature of some glossy metal within that particular genre.<\/p>\n<p>StormHammer lives up to its name by churning out racy and vigorous songs which are extremely catchy. Dachl\u2019s voice is not the most overwhelming, but it doesn\u2019t need to be as his instant rasps fit in perfectly with the battering ram of riffs and steely percussion to the point where StormHammer becomes a rather engaging unit not overwhelmed by one individual. Dachl\u2019s style gives the sound a rougher, more old school edge, but by recruiting new members the band seem re-energised and ready to fight as we find epic metal pounding such as the title track, which rallies hard and fast as a traditional metal powerhouse.<\/p>\n<p>Commendations must go to the production which gives the opus an almost loose feel, which is something I\u2019m not accustomed to when it comes to these often grandiose and all too contemporary and cold designs. This is raging late-80s metal defined by Dachl\u2019s infectious bellows, though, my only gripe being tracks such as \u2018Leaving\u2019, which \u2013 although coming in on a juddering riff and meandering solo \u2013 is severely let down by Dachl\u2019s vocals as he decides to adopt a more cleaner style which doesn\u2019t seem to fit the occasion. All seems fine and dandy initially as he barks orders upon a wave of traipsing guitars, rattling bass and pacey drum, but as the track progresses it becomes a rather predictable affair as does the slightly formulaic \u2018Bloody Tears\u2019.<\/p>\n<p>Some detractors may also be aware of the amount of programming on the opus, but this is something which acts more as an undercurrent and is often drowned out by the weighty riffs anyway.<\/p>\n<p>StormHammer is certainly a more potent beast now though, and while they tend to trudge mercilessly but without any real variation \u2013 take \u2018Holy Wars\u2019 for instance \u2013 there is still that icy splendour one would often experience with these sort of albums, and there are moments when you feel as if the rhythm section is offering up one gallop too many as the combo rushes headlong into more predictable avenues.<\/p>\n<p>However, I\u2019ve still enjoyed this opus immensely and not once overwrought by its obvious flaws, because when the band gets it right <em>Echoes Of A Lost Paradise<\/em> literally shits all over the previous works of StormHammer. \u2018Promises\u2019 is a fine mid-tempo power rocker with killer riffs \u2013 although the subtle keyboards are something I could\u2019ve done without \u2013 while \u2018Stormrider\u2019 is a deadly dose of groove-based power metal juddering that gets the head banging in serious fashion. <\/p>\n<p>The album finishes with the delicate prowess of \u2018The Ocean\u2019, which is a slightly underwhelming manner to round off this opus, but finally it seems as if this veteran act has got its shit together. Hopefully, all is well within the camp and StormHammer can plough out into the next venture, but as it stands <em>Echoes Of A Lost Paradise<\/em> is a strong heavy metal album and the band\u2019s finest by far.<\/p>\n<p><strong>Neil Arnold<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>STORMHAMMEREchoes Of A Lost Paradise Massacre (2015)Rating: 7\/10 Germany\u2019s StormHammer have previously been known as Lizard and Steamhammer and are on their fifth full-length release. The band has been active since the early 90s but each and every one of their five studio albums has emerged this side of the millennium, although it\u2019s been some [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"class_list":["post-33854","post","type-post","status-publish","format-standard","hentry","category-album-ep-reviews"],"_links":{"self":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/33854","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/comments?post=33854"}],"version-history":[{"count":6,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/33854\/revisions"}],"predecessor-version":[{"id":33879,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/33854\/revisions\/33879"}],"wp:attachment":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/media?parent=33854"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/categories?post=33854"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/tags?post=33854"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}