{"id":26531,"date":"2015-03-20T00:00:18","date_gmt":"2015-03-20T00:00:18","guid":{"rendered":"http:\/\/www.metalforcesmagazine.com\/site\/?p=26531"},"modified":"2015-03-31T21:58:00","modified_gmt":"2015-03-31T21:58:00","slug":"album-review-lynn-allen-streetlight","status":"publish","type":"post","link":"https:\/\/www.metalforcesmagazine.com\/site\/album-review-lynn-allen-streetlight\/","title":{"rendered":"LYNN ALLEN &#8211; Streetlight (2015) | Album \/ EP Reviews @ Metal Forces Magazine"},"content":{"rendered":"<p><span class=\"title2\"><strong>LYNN ALLEN<br \/>Streetlight<\/strong><\/span><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" border=\"0\" alt=\"\" height=\"3\" \/><br \/>\n<span class=\"title3\"><span style=\"color: #c80000;\">AOR Blvd (2015)<\/span><br \/><strong>Rating: 7.5\/10<\/strong><\/span><\/p>\n<div class=\"image floatedright\">\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td><img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" width=\"10\" border=\"0\"><\/td>\n<td>\n<div align=\"center\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/uploads\/2015\/03\/lynnallen_streetlight.jpg\" height=\"200\" width=\"200\" border=\"0\"><\/p>\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td>\n<div align=\"left\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<td>\n<div align=\"right\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<p>Limited to only 500 CD copies, this new opus from Lynn Allen is one which AOR fans should be snapping up as quickly as possible.<\/p>\n<p>For a quick history lesson to those who do not know, Lynn Allen is a melodic rock act from Iowa in the United States which formed in the early 80s with a line-up of Billy Peiffer (vocals \/ guitar), Tim Compton (guitar), Terry Murphy (bass), Bob Boyd (drums) and Dale Fisher (keyboards). In 1984, the band released their full-length opus <em>We Laugh At You<\/em> and would spend the following years sharing the stage with such esteemed acts as Ratt and Great White.<\/p>\n<p>However, with their album <em>Panorama Park<\/em> due for release in 1989 Peiffer left the band and joined Big Rock in San Francisco, but would return to Lynn Allen shortly afterwards to record the 1991 self-titled full-length (also known as <em>The Pink Album<\/em> due to its cover artwork). In spite of the grunge invasion Lynn Allen went on to be successful in the 90s, although 1995\u2019s <em>Petrified Ice Cream<\/em> was to be their last studio effort. In 2007 the band reunited to record <em>The Horse You Rode In On<\/em> and now we have another top quality rock release with the ten-track <em>Streetlight<\/em>.<\/p>\n<p>It\u2019s certainly been a story of ups and downs for the band, and with Peiffer as the sole survivor from the original line-up he\u2019s now joined by guitarist Paul DePaw, bassist Barry Bestal and drummer Kevin Sampson.<\/p>\n<p>After a few spins I have to say that <em>Streetlight<\/em> is probably one of the most soothing, easy on the ear rock records I\u2019ve heard for some time. Although I knew what to expect having enjoyed Lynn Allen\u2019s previous works, <em>Streetlight<\/em> is a warm, comforting record boasting simple melodies which stick long in the ears, even after just one listen.<\/p>\n<p>Opener \u2018Wheels Keep Turning\u2019 is a joyous, upbeat romp actually reminding me of something Donnie Vie (ex-Enuff Z\u2019Nuff) would come up with, such is its summery, sugary nature. Although the vocals are just a touch strained at times the track comes across as an effortless and breezy rocker and a great way to start this charming opus<\/p>\n<p>\u2018Falling\u2019 has a rockier edge than the opener; the guitar has a fiery edge and the drum nods along nicely in tandem with the plodding bass. It\u2019s AOR as it should be; seemingly modest and lacking overall frills, but boasting soul and pop majesty as it rolls. \u2018What It Is\u2019 continues the melodic theme with the guitar having a jarring groove to it while the drums remains persistent in its nod. Again it\u2019s a classic case subject-wise of love lost and found as the track builds to a nice fluid chorus where Billy Peiffer\u2019s vocals soar nicely.<\/p>\n<p>I guess the word \u201cnice\u201d pretty much sums up this record; a cheery journey through AOR basics but an opus which does enough due to its well-crafted songs and general all-round talent of those involved. You certainly won\u2019t get stunning thrills or much weight. The title track, however, offers a nice smooth groove \u2013 it\u2019s the sort of track with a heavy lean towards an 80s college vibe evoking images of courting teenagers at late-night drive-ins. In a sense, that\u2019s what a lot of the best AOR does; conjure up moods and images evocative of an era that still remains widely popular.<\/p>\n<p>With the likes of \u2018Drive\u2019 and \u2018Today She Is On Fire\u2019 we get those effective bubblegum rock stomps, but at the other end of the spectrum \u2018I Will\u2019 is simply sumptuous as an acoustic ballad that would have benefited from being a few minutes longer. If you\u2019re one of those craving an edgier tune however, then the closing \u2018She Is The One\u2019 comes complete with driving guitar and unassuming vocal to round off a pleasant record that seems happy to comfort rather than cavort.<\/p>\n<p><strong>Neil Arnold<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>LYNN ALLENStreetlight AOR Blvd (2015)Rating: 7.5\/10 Limited to only 500 CD copies, this new opus from Lynn Allen is one which AOR fans should be snapping up as quickly as possible. For a quick history lesson to those who do not know, Lynn Allen is a melodic rock act from Iowa in the United States [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,246],"tags":[],"class_list":["post-26531","post","type-post","status-publish","format-standard","hentry","category-album-ep-reviews","category-lynn-allen"],"_links":{"self":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/26531","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/comments?post=26531"}],"version-history":[{"count":6,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/26531\/revisions"}],"predecessor-version":[{"id":26548,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/26531\/revisions\/26548"}],"wp:attachment":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/media?parent=26531"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/categories?post=26531"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/tags?post=26531"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}