{"id":26512,"date":"2015-03-31T00:01:04","date_gmt":"2015-03-31T00:01:04","guid":{"rendered":"http:\/\/www.metalforcesmagazine.com\/site\/?p=26512"},"modified":"2015-03-31T21:01:28","modified_gmt":"2015-03-31T21:01:28","slug":"album-review-impalers-god-from-the-machine","status":"publish","type":"post","link":"https:\/\/www.metalforcesmagazine.com\/site\/album-review-impalers-god-from-the-machine\/","title":{"rendered":"IMPALERS &#8211; God From The Machine (2015) | Album \/ EP Reviews @ Metal Forces Magazine"},"content":{"rendered":"<p><span class=\"title2\"><strong>IMPALERS<br \/>God From The Machine<\/strong><\/span><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" border=\"0\" alt=\"\" height=\"3\" \/><br \/>\n<span class=\"title3\"><span style=\"color: #c80000;\">Crime (2015)<\/span><br \/><strong>Rating: 8\/10<\/strong><\/span><\/p>\n<div class=\"image floatedright\">\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td><img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" width=\"10\" border=\"0\"><\/td>\n<td>\n<div align=\"center\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/uploads\/2015\/03\/impalers_godfromthemachine.jpg\" height=\"200\" width=\"200\" border=\"0\"><\/p>\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td>\n<div align=\"left\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<td>\n<div align=\"right\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<p>Impalers is a bit of a crap name for a thrash band, but each to their own in a climate where any sort of originality seems to be sadly lacking. This ensemble is from Denmark, having been active since 2007. <em>God From The Machine<\/em> is their second full-length opus, and it\u2019s not bad at all in the scheme of things.<\/p>\n<p>In 2013 the quartet released its debut album <em>Power Behind The Throne<\/em> and that wasn\u2019t a bad effort either, but since then bassist Dan Sk\u00f8tt has been replaced by Kenneth Frandsen, who is accompanied by Thomas Carnell (lead guitar), Rasmus Kj\u00e6r (drums) and founding member S\u00f8ren Crawack (vocals \/ rhythm guitar).<\/p>\n<p>So what we basically get here is a high energy thrash record that does what is says on the tin, with a touch more thrown in too. While the music is a tad predictable in places \u2013 mind you, isn\u2019t most modern thrash? \u2013 we still get a decent vocal display from Crawack who has a real venomous snarl about him, adding extra conviction to a set of punchy tracks. One can expect a heavy lean towards an old school German style of thrashing \u2013 think of Kreator, Sodom and <a href=\"\/site\/destruction-articles\/\" target=\"_blank\">Destruction<\/a> with the speedy riffs, hectic drums and sneering expressions \u2013 but this feels more thought out and clinical than a majority of thrash acts currently doing the rounds. Hell, even the front cover is a well-crafted piece of ominous artwork, suggesting a band who do not want to be lumped in with the rest.<\/p>\n<p>On <em>God From The Machine<\/em> we get treated to nine vicious thrash metal outings, and from the off it\u2019s about conviction. \u2018Future Void\u2019 begins with a subtle guitar trickle then comes out raging hard and fast as one would expect from a thrash record, but these guys aren\u2019t here to mess around. Instead, they offer up a serious thrash assault that has hints of deathlier nuances.<\/p>\n<p>There\u2019s nothing overtly flashy about the music. Okay, maybe the cover artwork suggests an air of complexity which comes in via the title track, but it\u2019s still pretty much a case of battening down the hatches for a dose of Teutonic belligerence. Some nice guitar melodies are however spread throughout, which are complemented well by the strong drum nods and fiery leads.<\/p>\n<p>Where Impalers truly excel though is with my favourite trio of tracks. First up is \u2018Beyond Trinity\u2019 which opens with a nice simmering guitar lead as we\u2019ve come to expect over the years with so much thrash, but it builds its atmosphere nicely and creates a sense of the epic before a further curveball is thrown in with the clean vocal croon. It\u2019s certainly a big surprise hinting at classic Metallica, although Crawack just doesn\u2019t have the power to pull off that vocal style \u2013 the band better suited to the sneer \u2013 but I applaud them for trying.<\/p>\n<p>Another corker is \u2018Ghost\u2019, with its buzzing opening riff and all-out thrash barrage. I\u2019m almost at a loss to explain why I like this track? After all, it\u2019s no frills thrash metal, but with that trouncing drum and rattling bass I\u2018m hooked, and endeared further by those vicious vocal snaps.<\/p>\n<p>Meanwhile, one other track I just had to mention is \u2018The Walls Of Eryx\u2019; the band once again opting for subtlety as a nodding drum cavorts with a simple guitar meander in this interesting and exquisite instrumental, which makes for a nice break from the thrash attack.<\/p>\n<p>Of course, elsewhere one still gets blasted by the usual thrash workouts, and \u2018Prepare For War\u2019 and the closing \u2018The Vulturine\u2019 will certainly give you your money\u2019s worth in the aggressive stakes; the latter featuring a sublime bass lick and gang chants.<\/p>\n<p>And with that we come to the end of a satisfying thrash album; one not intent on breaking boundaries but instead hard enough to break bones.<\/p>\n<p><strong>Neil Arnold<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>IMPALERSGod From The Machine Crime (2015)Rating: 8\/10 Impalers is a bit of a crap name for a thrash band, but each to their own in a climate where any sort of originality seems to be sadly lacking. This ensemble is from Denmark, having been active since 2007. God From The Machine is their second full-length [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,1871],"tags":[],"class_list":["post-26512","post","type-post","status-publish","format-standard","hentry","category-album-ep-reviews","category-impalers"],"_links":{"self":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/26512","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/comments?post=26512"}],"version-history":[{"count":5,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/26512\/revisions"}],"predecessor-version":[{"id":26534,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/26512\/revisions\/26534"}],"wp:attachment":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/media?parent=26512"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/categories?post=26512"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/tags?post=26512"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}