{"id":25583,"date":"2015-01-31T00:00:31","date_gmt":"2015-01-31T00:00:31","guid":{"rendered":"http:\/\/www.metalforcesmagazine.com\/site\/?p=25583"},"modified":"2015-03-16T21:21:47","modified_gmt":"2015-03-16T21:21:47","slug":"album-review-wardenclyffe-control-all-delete","status":"publish","type":"post","link":"https:\/\/www.metalforcesmagazine.com\/site\/album-review-wardenclyffe-control-all-delete\/","title":{"rendered":"WARDENCLYFFE – Control All Delete (2015) | Album \/ EP Reviews @ Metal Forces Magazine"},"content":{"rendered":"

WARDENCLYFFE
Control All Delete<\/strong><\/span>
\n\"\"
\nV\u00e1n (2015)<\/span>
Rating: 8\/10<\/strong><\/span><\/p>\n

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Not to be confused with the British band of exactly the same moniker, this particular Wardenclyffe is from Sweden and likes to dabble in death-drenched doooooom metal!<\/p>\n

In 2012, the band released its demo entitled Ordo ab Chao<\/em>. It was something I enjoyed immensely, and so it\u2019s great that two of the three tracks which appeared on that demo have found their way to this seven-track debut full-length release.<\/p>\n

However, firstly I\u2019d like to introduce you to the embers which construct this monolith. There\u2019s Jacob Nordang\u00e5rd on vocals \/ guitar, Emil \u00c5str\u00f6m plays bass, Ola Blomkvist also plays guitar and Micael Zetterberg handles drums. Meanwhile, since the album was recorded there\u2019s been the further addition to of Misericordia guitarist Robert Karlsson. Wardenclyffe was formed in 2011 by Nordang\u00e5rd, Blomkvist and Zetterberg and it\u2019s only natural that any doom band which emerges from Sweden is always going to suffer comparisons with Candlemass, even if they sound nothing alike.<\/p>\n

Control All Delete<\/em> is a morose slab of a record \u2013 as expected \u2013 that deals with classic doom metal nuances for the most part. Slow, aching rhythms tease themselves out of the equally creaky eaves and are laced with Nordang\u00e5rd\u2019s clear funereal bellows. Okay, so it\u2019s nothing new in any way shape or form, but it\u2019s nice to hear a few bands on the scene nowadays reverting back to traditional sombreness rather than leaning towards that horrid stoner fuzz. <\/p>\n

With Control All Delete<\/em> we are treated to slow-moving objects in the form of \u2018Orcadian Dream\u2019, \u2018Everlearning \u2013 Neverknowing\u2019, \u2018Merchants Of Doom\u2019, \u2018Macroshift\u2019, \u2018A Journey Through The Major Aracana\u2019 and \u2018Externalization Of The Hierachy\u2019. All delivered with shades of impending dread, the best of these is the oaken might of \u2018Macroshift\u2019 where Nordang\u00e5rd\u2019s vocals drift nicely into deathlier growls as the riffs lumber behind him with the grace of a drunken elephant. Although there\u2019s no real variety within the structures of each song, the harrowing drum slogs and eerie melancholic whines of the guitar provide enough rainy atmospherics to capture the listener and enshroud them in a feeling akin of standing by a rain-soaked grave. <\/p>\n

I\u2019m thankful that the songs are not too long, most of them clocking in around the six or seven minute mark. The riffs rarely labour, and as modern doom metal outings go this is one of the most genuinely stark that I\u2019ve heard. So, hats off to Nordang\u00e5rd and company for carving out a very good composition of woe. I\u2019m of the opinion that too many doom bands are incapable of providing such spooky dramatics, but through the simplicity of tracks such as \u2018Everlearning \u2013 Neverknowing\u2019, Wardenclyffe maintains a feeling of folkloric horror which is encapsulated within those sorrowful chimes and despondent narrations \u2013 only in their case, the hymns of greed, angst and pain are served up as dire warnings we should all take note of. <\/p>\n

This is a very good doom metal record that takes me back to the early 90s when music of this stature, weight and darkness was a common element in extreme metal, and yet today it seems such a rare thing.<\/p>\n

Neil Arnold<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

WARDENCLYFFEControl All Delete V\u00e1n (2015)Rating: 8\/10 Not to be confused with the British band of exactly the same moniker, this particular Wardenclyffe is from Sweden and likes to dabble in death-drenched doooooom metal! In 2012, the band released its demo entitled Ordo ab Chao. It was something I enjoyed immensely, and so it\u2019s great that […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,1793],"tags":[],"class_list":["post-25583","post","type-post","status-publish","format-standard","hentry","category-album-ep-reviews","category-wardenclyffe"],"_links":{"self":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/25583","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/comments?post=25583"}],"version-history":[{"count":2,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/25583\/revisions"}],"predecessor-version":[{"id":25586,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/25583\/revisions\/25586"}],"wp:attachment":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/media?parent=25583"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/categories?post=25583"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/tags?post=25583"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}