{"id":22553,"date":"2014-10-14T00:00:40","date_gmt":"2014-10-14T00:00:40","guid":{"rendered":"http:\/\/www.metalforcesmagazine.com\/site\/?p=22553"},"modified":"2014-12-02T12:14:05","modified_gmt":"2014-12-02T12:14:05","slug":"album-review-exodus-blood-in-blood-out","status":"publish","type":"post","link":"https:\/\/www.metalforcesmagazine.com\/site\/album-review-exodus-blood-in-blood-out\/","title":{"rendered":"EXODUS – Blood In, Blood Out (2014) | Album \/ EP Reviews @ Metal Forces Magazine"},"content":{"rendered":"

EXODUS
Blood In, Blood Out<\/strong><\/span>
\n\"\"
\nNuclear Blast (2014)<\/span>
Rating: 8.5\/10<\/strong><\/span><\/p>\n

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It all seemed to happen so quickly; Rob Dukes ousted and Steve \u201cZetro\u201d Souza back in after a ten-year absence. But whatever shenanigans occurred behind the scenes I for one was happy that one of thrash metal\u2019s most distinctive voices was back at the helm, and so to an extent there was a nervous anticipation for what is the 11th episode in this band\u2019s career.<\/p>\n

Now, it\u2019s not as if Souza has been lacking the larynx practice after he\u2019s been blowing doors and causing havoc with his fiery Hatriot combo, so for me I kind of knew what to expect with Blood In, Blood Out<\/em>, and although a tad disappointed with the cover art I\u2019m happy to say that this is another fully-loaded thrash barrage from start to finish that should please die-hard Exodus and thrash fans in general.<\/p>\n

Deep down I was concerned that this new outing was going to be a rather rushed affair and I\u2019m unsure as to what type of influence Souza had apart from delivering those snappy vocal rasps, but overall this is a volatile addition to the Exodus arsenal and an album that throughout punishes, particularly in the guitar department as we\u2019d come to expect from Gary Holt and Lee Altus. Nevertheless, one can never overlook the pounding percussion of Tom Hunting or the belligerent bass lines of Jack Gibson, and with all that in mind we\u2019re taken through a shredding machine of 11 tracks which rattle in for just over an hour of punishment.<\/p>\n

Okay, so it\u2019s not an innovative comeback, but hey, I\u2019ve long forgotten the days of when thrash bands attempted to be funky and I certainly prefer an old school approach instead of the bruising Dukes-fronted muscularity, and so as each track hurtles by I\u2019m just happy that it\u2019s pretty much the same ol\u2019 same ol\u2019 for the thrash veterans. <\/p>\n

\u2018Black 13\u2019 begins with some unexpected electronic experimentation and I was a touch concerned that Exodus were going to go all Morbid Angel on us for a minute, but thankfully it\u2019s far from it as they set us up for a crunching six-minutes of flesh conflict marching through the ears with blazing solos, fiery riffs and Souza\u2019s typically eager and choppy sneers. The opening has a hint of Slayer<\/a> with its fusillade; Altus and Holt gunning for victims and just waiting to complement that hurtful drum assault.<\/p>\n

It\u2019s strange how over the years the classic Exodus sound has grown on me, because for me their debut, Bonded By Blood<\/em><\/a> (1985), was always their work of art and a pummelling that was difficult to beat, but now I appreciate those other earlier works and in turn find that by returning to the glories of Pleasures Of The Flesh<\/em> (1987), Fabulous Disaster<\/em> (1989) and, to a lesser extent, Impact Is Imminent<\/em> (1990), I can finally revel in this air of predictability. That\u2019s not to say that Blood In, Blood Out<\/em> is tiresome \u2013 far from it \u2013 but in a sense you know what\u2019s coming and the band are just so happy to tear the flesh with those sizzling wilds solos and grating vocals.<\/p>\n

\u2018Black 13\u2019 just doesn\u2019t let up, and neither does that title track which seethes with utter fury built upon Gibson\u2019s relentless slamming, and when Souza hurls \u201cTonight we’re gonna fight like it’s 1985\u201d<\/em> you had better just join in the good, friendly violent fun or else stay out of the way of this juggernaut. With those archetypal gang chants and that ever-present trundling bass the title track is a monster of a tune featuring some fantastic slower injections of groove metal.<\/p>\n

If it\u2019s thrash of the slow-building variety you\u2019re after mind, then look no further than the avalanche that is \u2018Collateral Damage\u2019 where I\u2019m sure as hell Gibson reduces his digits to gory stumps and Hunting wallops his kit into bloody submission. Suddenly, Exodus are walking hand in hand with fellow thrash titans Overkill, doing what they do best in the sense that this is just straight down the line, sweat-soaked thrash Armageddon not for the faint hearted.<\/p>\n

And the downpour just refuses to let up; \u2018Salt The Wounds\u2019 drips with old school melody and even features original member Kirk Hammett thrashing away. I dunno, maybe Hammett\u2019s finally bored at the fact Metallica hasn\u2019t thrashed hard since 1987, but it\u2019s certainly one of the album\u2019s finer points featuring a staggering display of juddering bass and jackhammer percussion.<\/p>\n

Elsewhere, I have to pick my way through the human debris and shuffle numerous other top-notch head crushers; mainly \u2018Body Harvest\u2019 with its bruising intro thrash, the hostile \u2018BTK\u2019 (featuring Testament vocalist Chuck Billy) as a homage to the notorious Wichita serial killer, the dastardly \u2018Numb\u2019 with its worming opening chords, and the equally lengthy \u2018Food For The Worms\u2019 which kicks like a mule in all departments but one cannot help be reduced to slop by that vicious drum hail.<\/p>\n

I\u2019m sure some will probably mock the rather straightforward zip of this opus, but for me this is what classy thrash metal is all about and with Andy Sneap\u2019s production packing a mighty punch I can\u2019t see how anyone in their right mind can find major faults with this apocalyptic serenade. Blood In, Blood Out<\/em> is an expression of fury and a fitting return to that old school rampage… so dive in and mosh up!<\/p>\n

Neil Arnold<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

EXODUSBlood In, Blood Out Nuclear Blast (2014)Rating: 8.5\/10 It all seemed to happen so quickly; Rob Dukes ousted and Steve \u201cZetro\u201d Souza back in after a ten-year absence. But whatever shenanigans occurred behind the scenes I for one was happy that one of thrash metal\u2019s most distinctive voices was back at the helm, and so […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-22553","post","type-post","status-publish","format-standard","hentry","category-exodus"],"_links":{"self":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/22553","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/comments?post=22553"}],"version-history":[{"count":5,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/22553\/revisions"}],"predecessor-version":[{"id":22560,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/22553\/revisions\/22560"}],"wp:attachment":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/media?parent=22553"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/categories?post=22553"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/tags?post=22553"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}