{"id":18674,"date":"2014-05-10T00:00:37","date_gmt":"2014-05-10T00:00:37","guid":{"rendered":"http:\/\/www.metalforcesmagazine.com\/site\/?p=18674"},"modified":"2014-05-20T16:25:02","modified_gmt":"2014-05-20T16:25:02","slug":"album-review-seprevation-consumed","status":"publish","type":"post","link":"https:\/\/www.metalforcesmagazine.com\/site\/album-review-seprevation-consumed\/","title":{"rendered":"SEPREVATION &#8211; Consumed (2014) | Album \/ EP Reviews @ Metal Forces Magazine"},"content":{"rendered":"<p><span class=\"title2\"><strong>SEPREVATION<br \/>Consumed<\/strong><\/span><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" border=\"0\" alt=\"\" height=\"3\" \/><br \/>\n<span class=\"title3\"><span style=\"color: #c80000;\">Self-released (2014)<\/span><br \/><strong>Rating: 8\/10<\/strong><\/span><\/p>\n<div class=\"image floatedright\">\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td><img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" width=\"10\" border=\"0\"><\/td>\n<td>\n<div align=\"center\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/uploads\/2014\/05\/seprevation_consumed.jpg\" height=\"200\" width=\"200\" border=\"0\"><\/p>\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td>\n<div align=\"left\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<td>\n<div align=\"right\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<p><em>Consumed<\/em> is brought to you from the hellish shores of Bristol! Seprevation is a rather classy British quartet who I\u2019d not heard previously, despite these guys forming in 2011. Previous to this ten-track full-length debut, Seprevation had been responsible for a 2012 EP, entitled <em>Ritual Abuse<\/em>.<\/p>\n<p>I have to admit that when I saw the press release which mentioned that these guys were \u201ctrue to the 80s and 90s masters\u201d, I had my reservations. After all, just how many contemporary bands are more than happy to steal \/ pay homage to bands like Death, Possessed, Venom, <a href=\"\/site\/slayer-articles\/\" target=\"_blank\">Slayer<\/a>, Metallica etc. only to sound like vastly inferior mimics with no clue as to how to wear their influences on their sleeves and sound so insincere?<\/p>\n<p>So the big question in my mind was, \u201cAre Seprevation mere great pretenders or a good band with understanding of the old school\u201d? Well, upon first listen, I\u2019d go for the latter because this is an extremely volatile death metal album which also bridges the gap between this style and thrashier aspects.<\/p>\n<p>Only the more recent Vektor records have gotten me so similarly excited, but Seprevation\u2019s style is very much rooted in the early 90s death metal scene, especially in the chesty vocal horrors of Lluc Tupman who also batters the crap out of his bass strings. When one considers that these guys have toured with all manner of extreme metal acts, ranging from Gorguts to Exhumed, it\u2019s no surprise that people are turning heads in order to snatch a listen to this debut full-length release.<\/p>\n<p>From the brutal slaying of opener \u2018Divine Devastation\u2019 the band are immediately on the ball, caving in craniums and severing flesh as in nightmarish fashion they lay waste to all who stand in their way. Strangely there\u2019s not much of a British flavour about it, but it\u2019s still brutal, whether in the form of Jamie Wintle\u2019s harmful percussion or the crushing guitars of Ian Aston and Joss Farrington.<\/p>\n<p>The axe-team seem just as influenced by the likes of Death as they are Cancer, but this is fast, heavy and chaotic from start to finish as displayed with the blood-spattered barrage of album closer \u2018Between Two Worlds\u2019, which injects some nice subtle touches of melody that are reflective of Death, Atheist et al at their most progressive.<\/p>\n<p>\u2018Servants Of Suffering\u2019 begins in true vintage Slayer style but again the bass is impressive, hinting at Gorguts in its unpredictability and complexity in that it strays from the initial rigid format of brutality to inject its own cavorting quality. To call Seprevation a thrash band would be extremely unfair because although the vocals do shift into dryer tones, for the most part this record veers more towards the death metal void, but just like extreme metal masters Sadus, Seprevation twist perversely between more guttural episodes and those caustic segments which made the Californian cult metallers so vicious.<\/p>\n<p>Of the ten tracks on offer, my favourites are the juggernaut that is \u2018Sarcophagal Chamber\u2019 with its technical prowess, especially between the guitar and bass, the fleeting \u2018Dreams\u2019 with its melodic yet jarring opening and the fistful of fury that is \u2018Sea Of Thoughts\u2019 with the interesting variation within the vocal department.<\/p>\n<p>Overall though, this is an album that muscles its way through the wars from beginning to end and becomes a relentless assault comprising of striking bass-lines, some staggering guitar work, catchy hooks and above all the ability to thrash to the point of stripping the flesh from the face. Yes, it is an album that marvels at the original Gods but it is also one with enough razor-sharp swagger and aggression to leave you gagging for more. Consumed you will be!<\/p>\n<p><strong>Neil Arnold<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>SEPREVATIONConsumed Self-released (2014)Rating: 8\/10 Consumed is brought to you from the hellish shores of Bristol! Seprevation is a rather classy British quartet who I\u2019d not heard previously, despite these guys forming in 2011. Previous to this ten-track full-length debut, Seprevation had been responsible for a 2012 EP, entitled Ritual Abuse. I have to admit that [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,1211],"tags":[],"class_list":["post-18674","post","type-post","status-publish","format-standard","hentry","category-album-ep-reviews","category-seprevation"],"_links":{"self":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/18674","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/comments?post=18674"}],"version-history":[{"count":2,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/18674\/revisions"}],"predecessor-version":[{"id":18677,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/18674\/revisions\/18677"}],"wp:attachment":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/media?parent=18674"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/categories?post=18674"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/tags?post=18674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}