{"id":18667,"date":"2014-05-20T00:00:02","date_gmt":"2014-05-20T00:00:02","guid":{"rendered":"http:\/\/www.metalforcesmagazine.com\/site\/?p=18667"},"modified":"2014-05-20T16:01:08","modified_gmt":"2014-05-20T16:01:08","slug":"album-review-hoth-oathbreaker","status":"publish","type":"post","link":"https:\/\/www.metalforcesmagazine.com\/site\/album-review-hoth-oathbreaker\/","title":{"rendered":"HOTH &#8211; Oathbreaker (2014) | Album \/ EP Reviews @ Metal Forces Magazine"},"content":{"rendered":"<p><span class=\"title2\"><strong>HOTH<br \/>Oathbreaker<\/strong><\/span><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" border=\"0\" alt=\"\" height=\"3\" \/><br \/>\n<span class=\"title3\"><span style=\"color: #c80000;\">Self-released (2014)<\/span><br \/><strong>Rating: 7.5\/10<\/strong><\/span><\/p>\n<div class=\"image floatedright\">\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td><img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" width=\"10\" border=\"0\"><\/td>\n<td>\n<div align=\"center\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/uploads\/2014\/05\/hoth_oathbreaker.jpg\" height=\"200\" width=\"200\" border=\"0\"><\/p>\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td>\n<div align=\"left\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<td>\n<div align=\"right\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<p>Not to be confused with the Portuguese one-man black metal band currently in existence, this Hoth are an American duo whose moniker derives from the fictional planet of the same name featured in the 1980 classic sci-fi movie <em>Star Wars: The Empire Strikes Back<\/em>.<\/p>\n<p>The Seattle-based band consists of two chaps named Eric Peters and David Dees, but I haven\u2019t a clue who plays which instrument as there seems to be an air of mystery about this concept album. Even so, with the intrigue in mind we step into this eight-track opus which follows on from 2012\u2019s <em>Infinite Darkness<\/em> in regards to style, with this platter being another experimental melodic death metal opus which is equally at home in producing wistful moments as it is with more abrasive textures.<\/p>\n<p>The press release for this album states that <em>Oathbreaker<\/em> was recorded \u201cin the cold, bleak months of 2013\u201d and when one hears the opening strains of \u2018The Unholy Conception\u2019 one can fully appreciate that frosty influence. Hoth incorporates elements of black metal into their style, and in my opinion \u2018The Unholy Conception\u2019 has more in common with that particular style of metal than anything remote deathly. While high on melody with the ashen guitar sound, the stark feel gives the opus a Scandinavian edge as the drums initially have the effect of a steady machine gun laced with a rather pallid guitar tone that breaks through the ice in order to reach for the sunlight.<\/p>\n<p>There is variation throughout with Hoth combining traditional elements too, but the vocals are very much of the black metal ilk \u2013 scratchy, throaty rasps with occasional deeper smirks. The tempo is one of subzero energy which is then contradicted by a breezy acoustic passage which comes as light relief before the track leaps back into that arctic rage.<\/p>\n<p>\u2018A Blighted Hope\u2019 displays further experimentation; again the acoustic guitar is key as it gently strums its way into the ears and cavorts sporadically with an electric trudge, taking the track into an Iron Maiden-esque whine before the snarling vocals emerge. Of all the tracks on offer, it\u2019s this that remains as the most accessible and the one item which successfully mixes the melodic metal style with a harsher blend of tuneful, crisp black metal.<\/p>\n<p>There is certainly an unpredictable edge about Hoth though, and they do love to use a variety of instruments in order to communicate with the listener. For instance, \u2018Cryptic Nightmares\u2019 begins with a melancholic piano before transforming into a full-on, buzzing industrialised dose of blackened thrash. It\u2019s a stonker of a cut featuring utterly convincing vocals which reek of menace and the melting of doomier thrash and melody works a treat.<\/p>\n<p>\u2018Serpentine Whispers\u2019 follows suit with its grim sneer and contrasting jaunty riff, while \u2018Oblivion\u2019 rages across the tundra and where frost meets water tumbles into the epic-sounding \u2018Despair\u2019 which alters the path somewhat and flirts with death and black metal. The charging \u2018Unending Power\u2019, of all the tracks, showcases the deathlier aspects of metal with its guttural approach.<\/p>\n<p><em>Oathbreaker<\/em> is a very good album that despite its pristine white fa\u00e7ade features some excellent riffs and sinister vocal retorts. And with the duos aim of producing something cold and dark, they have clearly succeeded in realising their dream by constructing a menacing bundle of tracks to freeze the blood.<\/p>\n<p><strong>Neil Arnold<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>HOTHOathbreaker Self-released (2014)Rating: 7.5\/10 Not to be confused with the Portuguese one-man black metal band currently in existence, this Hoth are an American duo whose moniker derives from the fictional planet of the same name featured in the 1980 classic sci-fi movie Star Wars: The Empire Strikes Back. The Seattle-based band consists of two chaps [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,1210],"tags":[],"class_list":["post-18667","post","type-post","status-publish","format-standard","hentry","category-album-ep-reviews","category-hoth"],"_links":{"self":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/18667","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/comments?post=18667"}],"version-history":[{"count":4,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/18667\/revisions"}],"predecessor-version":[{"id":18672,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/18667\/revisions\/18672"}],"wp:attachment":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/media?parent=18667"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/categories?post=18667"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/tags?post=18667"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}