{"id":1338,"date":"1986-02-01T00:00:40","date_gmt":"1986-02-01T00:00:40","guid":{"rendered":"http:\/\/www.metalforcesmagazine.com\/site\/?p=1338"},"modified":"2012-02-18T02:17:32","modified_gmt":"2012-02-18T02:17:32","slug":"feature-cities-mf16","status":"publish","type":"post","link":"https:\/\/www.metalforcesmagazine.com\/site\/feature-cities-mf16\/","title":{"rendered":"CITIES &#8211; Intencities (MF16, 1986) | Features \/ Interviews @ Metal Forces Magazine"},"content":{"rendered":"<p><span class=\"title\"><span style=\"font-family: arial; color: #c80000;\"><strong>CITIES &#8211; Intencities<\/strong><\/span><\/span><br \/>\n<span class=\"smalltitle\">Dave Reynolds<\/span><br \/>\n<span style=\"font-family: arial; font-size: 8pt\">Metal Forces, Issue 16 (1986)<\/span><\/p>\n<div class=\"image floatedright\">\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td><img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" width=\"10\" border=\"0\"><\/td>\n<td>\n<div align=\"center\"><img decoding=\"async\" src=\"\/site\/wp-content\/uploads\/2011\/06\/cities1986promophoto.jpg\" border=\"0\"><\/p>\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td>\n<div align=\"left\"><span class=\"smalltext\"><b><em>Cities (l-r): Steve Mironovich, Scott DuBoys, Ron Angell and Sal Mayne<\/em><\/b><\/span><\/div>\n<\/td>\n<td>\n<div align=\"right\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<p> \u201cThe problem we have in New York is that all the heavy metal A&#038;R people come from Los Angeles, which is why all the LA bands are getting signed. These guys take a totally different approach, as New York bands are a lot heavier. New York companies are used to working with pop bands that sell records, and they don\u2019t have the money to give out to bands to establish themselves. That\u2019s why bands like ourselves have to do it on our own, and the only way to get major label attention is to have a successful indie release. Iron Maiden did it. Twisted Sister did it. And hopefully we\u2019ll be there too.\u201d<\/p>\n<p>Thus spoke Sal Mayne, bass player with probably the crunchiest, classiest New York band around. We were speaking of the problems New York bands have in attracting major label interest, which is a shame \u2019cos as you know New York has some real killer bands. Cities have, after a long time in trying, released a six-track mini album on a London based indie label called Metal Masters. The record is titled <em>Annihilation Absolute<\/em> and it\u2019s one of my favourite records of the year, without a doubt. What I wanted to know is, why the band\u2019s best track, \u2018Deceiver\u2019, was left off the record? \u201cWell, the reason why is because we don\u2019t wanna use up all our best stuff at once. For instance, a lot of people wanted to see \u2018Cruel Sea\u2019 on the record, the song where Ronnie (Angell \u2013 vocalist) screams \u2018Attack!\u2019 on, but we want to save some of these songs for further records. In the beginning we only wanted to do a four-song EP, but Metal Masters asked us to put two more on there to make it a six-track mini-album. So that\u2019s why \u2018Burn Forever\u2019 and \u2018Fight For Your Life\u2019 are included. I\u2019ve gotta tell you that we did that record on a very tight budget and we didn\u2019t have as much time as we would\u2019ve liked, but hopefully we\u2019ll be able to put out a much better produced album next time.\u201d<\/p>\n<p>Despite the record not being quite as good as Cities would\u2019ve liked, it\u2019s still a mighty powerful piece of product. I just can\u2019t understand why it\u2019s taken so long for somebody to wake up to the talent Cities have. The record has been a long time coming. \u201cOh yeah, it sure has,\u201d says Mayne.  \u201cOne of the problems has been with drummers. We\u2019ve been through something like 16 drummers since the band began, but we\u2019ve always lost them for some reason or another, or we\u2019ve had drummers who\u2019ve never been into the same vein musically as we have. We take a great deal of pride in our work. Hopefully our new drummer, Scott DuBoys, and this record will put us on the road to bigger things.\u201d<\/p>\n<p>One of your former drummers was A.J. Pero of Twisted Sister, wasn\u2019t it? \u201cYeah, A.J. is a really great guy. In fact, we played some shows with him on drums a couple of months back. When A.J. joined us he told us that he had auditioned for Twisted Sister and that if he was accepted he\u2019d join them. So he got accepted&#8230;\u201d<\/p>\n<p>And look where he is now. Yeah, A.J. Pero is one helluva drummer. In fact, the entire Twisted Sister outfit are fine musicians, but I\u2019ve always had the impression that their studio work is nowhere near as good as what they can do live, and they also went through that commercial phase. A recent demo I\u2019d heard from Cities had me worried, because it sounded like Cities were getting a bit towards radio material, as it were! Seriously, the demo included a couple of tracks, \u2018No Good For Me\u2019 and \u2018No Turnin\u2019 Back\u2019, that were a touch lighter than what I expect from the band.<\/p>\n<p>Mayne explains: \u201cYeah, I guess there was a bit of a commercial approach to that demo, but that was a tape we wanted for record companies to listen to and you have to play to a kind of radio format. We don\u2019t really write that way, but then again we gave those songs just as much effort as anything else we\u2019ve done. There\u2019s a lot more playing involved in our songs, but we don\u2019t just wanna thrash through a song. We like to write songs that get an audience singing them well after they\u2019ve seen us at a show. We think it\u2019s important to write classic heavy metal tunes.\u201d<\/p>\n<p>Yeah, and Cities have them by the bucket load. If you\u2019re only familiar with the Annihilation Absolute album then wait until you hear \u2018Cruel Sea\u2019, \u2018Death Of A King\u2019, \u2018Shades Of Black\u2019 or \u2018Deceiver\u2019, which is introduced by some   awesome guitar playing by Steve Mironovich who has every right to join Ace Frehley, Carlo Fragnito and Vito Bratta on New York\u2019s guitarists hall of fame.<\/p>\n<p>The Cities show is also something worth waiting for when the band hit your area. \u201cWe\u2019re hoping 1986 will be a good year for us, \u2019cos 1985 was pretty rough because we were constantly rehearsing and writing. We did get to do a lot of support shows to most of the major bands who played at L\u2019Amour, such as Y&#038;T, Talas, Anvil and Queensr\u00ffche, and also some shows with Twisted Sister. But we\u2019ve never really had the chance to break out of New York. However, our record is selling out over here and the distributors can\u2019t keep up with the orders, so that\u2019s good for the band.\u201d Bear in mind, that like the Blacklace albums, the White Lion album and the debut Twisted Sister album, <em>Annihilation Absolute<\/em> is only available in the US as an import.<\/p>\n<p>\u201cWe have been talking about a European tour. We share the same management as Grim Reaper, so perhaps we might be able to come over with them. The UK is definitely the first place to come for us on tour, and Los Angeles will be the second trip. Then we want to get down to Texas.\u201d But like all good plans, nothing is definite at this stage. Still, I expect Cities to visit all of those places sometime during the year, just hang on in there.<\/p>\n<p>When you do get to feast your eyes on Cities live, then expect a pretty hot show. Mayne: \u201cOur stage set is based around a wall that looks as if we\u2019ve smashed our way through it. The drums are actually behind the wall, as you can see in the photos on the back of our album cover. We also have a backdrop similar to the front cover art with the ruined city and nuclear mushroom cloud on it.\u201d<\/p>\n<p>That sounds slightly similar to the Kiss <em>Destroyer<\/em> set of ten years ago? \u201cYeah, I guess so. I used to go to see Kiss a lot when they first started out\u2026 that\u2019s when they were good. I saw them play at Madison Square Garden a couple of weeks ago with Black \u2019N Blue as support. Kiss are just not the same band anymore without the elaborate effects. It\u2019s really a shame.\u201d<\/p>\n<p>One band Mayne does seem to be impressed by, are the all-girl band Poison Dollys. \u201cYeah, the girl who plays bass (Mef Manning) is a phenomenal player!\u201d And you thought Kelv Hellrazer was dreaming again eh? Yeah, there\u2019s so much untapped talent emanating from New York these days that just keeps on appearing. <em>Metal Forces<\/em> will try to keep in tune with what\u2019s happening there as much as we will everywhere else in the US, and the rest of the world for that matter.<\/p>\n<p>As for Cities \u2013 let\u2019s have the roll call again: Ron Angell (vocals), Steve Mironovich (guitar), Sal Mayne (bass) and Scott DuBoys (drums) \u2013 well, their debut release might be called <em>Annihilation Absolute<\/em>, but it\u2019s just the beginning for this band and definitely not the end!<\/p>\n<p><em>Interview taken from Metal Forces, Issue 16 (1986)<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>CITIES &#8211; Intencities Dave Reynolds Metal Forces, Issue 16 (1986) Cities (l-r): Steve Mironovich, Scott DuBoys, Ron Angell and Sal Mayne \u201cThe problem we have in New York is that all the heavy metal A&#038;R people come from Los Angeles, which is why all the LA bands are getting signed. These guys take a totally [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[64,23],"tags":[],"class_list":["post-1338","post","type-post","status-publish","format-standard","hentry","category-cities","category-features"],"_links":{"self":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/1338","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/comments?post=1338"}],"version-history":[{"count":9,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/1338\/revisions"}],"predecessor-version":[{"id":1343,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/1338\/revisions\/1343"}],"wp:attachment":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/media?parent=1338"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/categories?post=1338"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/tags?post=1338"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}