{"id":13215,"date":"2013-01-15T00:00:47","date_gmt":"2013-01-15T00:00:47","guid":{"rendered":"http:\/\/www.metalforcesmagazine.com\/site\/?p=13215"},"modified":"2013-07-21T19:20:35","modified_gmt":"2013-07-21T19:20:35","slug":"album-review-sorcery-arrival-at-six","status":"publish","type":"post","link":"https:\/\/www.metalforcesmagazine.com\/site\/album-review-sorcery-arrival-at-six\/","title":{"rendered":"SORCERY &#8211; Arrival At Six (2013) | Album \/ EP Reviews @ Metal Forces Magazine"},"content":{"rendered":"<p><span class=\"title2\"><strong>SORCERY<br \/>Arrival At Six<\/strong><\/span><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" border=\"0\" alt=\"\" height=\"3\" \/><br \/>\n<span class=\"title3\"><span style=\"color: #c80000;\">Xtreem Music (2013)<\/span><br \/><strong>Rating: 7.5\/10<\/strong><\/span><\/p>\n<div class=\"image floatedright\">\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td><img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" width=\"10\" border=\"0\"><\/td>\n<td>\n<div align=\"center\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/uploads\/2013\/07\/sorcery_arrivalatsix.jpg\" height=\"200\" width=\"200\" border=\"0\"><\/p>\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td>\n<div align=\"left\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<td>\n<div align=\"right\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<p>Whoa there! Swedish death metal just suddenly got heavier&#8230; if that was at all possible? Sorcery \u2013 not be confused with countless other bands of the same moniker \u2013 have been banging heads together since the mid 80s, as one can tell when you hear this festering sore of a record.<\/p>\n<p>Surprisingly, the rather tamely titled <em>Arrival At Six<\/em> is only the second opus from this ferocious four-piece, coming more than 20 years after their grisly debut <em>Bloodchilling Tales<\/em> (1991). <\/p>\n<p>The band still features original members Paul Johansson, who has been somewhat of a multi-instrumentalist in the band over the years, and vocalist Ola Malmstr\u00f6m, who is very much from the L-G Petrov (Entombed) \/ Matti K\u04d3rki (Dismember) style of gravelled vocal spits. In 2011 drummer Steinfaust joined the band and more recently the band enlisted the talents of bassist Jacob Wiberg.<\/p>\n<p>Now, those of you that have heard Sorcery\u2019s debut will know that it was somewhat of a cult offering that never made the headway to compare to fellow countrymen Entombed or Dismember, but it\u2019s great to see these guys have stuck to their guns, and what they\u2019ve come up with is a frothing opus that shows Entrails how it\u2019s done, and certainly, in parts, compares to the recent Grand Supreme Blood Court opus (<a href=\"\/site\/album-review-grand-supreme-blood-court-bow-down-before-the-blood-court\/\"><em>Bow Down Before The Blood Court<\/em><\/a>) for frenetic precision. <\/p>\n<p>I\u2019m guessing that after two demo tapes, which emerged in 2009 and 2012, these guys must have struggled to have gotten a record deal, but thank the lord below for this rotten sounding nine tracker. The record opens with the buzzing horrors of \u2018We Who Walk Among The Dead\u2019, a five-minute thrasher that has more in common with <a href=\"\/site\/slayer-articles\/\" target=\"_blank\">Slayer<\/a> at their most chaotic than anything death metal. It\u2019s a cauldron of flailing guitars, crashing drums and hoarse vocal rants which melt into the ominous twists of \u2018Created From Darkness And Rage\u2019, complete with simmering, chugging riffs and gothic drum booms before being punctured by a killer chord and cloudburst of speed.<\/p>\n<p>The guitar tone of the album is distinctly Swedish but the band rarely labour, clearly making up for their long absence, and this is cemented by the crushing weight of \u2018Master Of The Chains\u2019 and the grey sweeping haze of \u2018United Satanic Alliance\u2019 with its tumbling drums and annihilating speed. Again, I refer to Ola Malmstr\u00f6m\u2019s vocals which are extremely venomous and leave a crust of phlegm over the speakers.<\/p>\n<p>The band also has the uncanny ability to inject the pace with a dose of nauseous melody, especially a quarter of the way through \u2018United Satanic Alliance\u2019, which is probably the most varied of all the tracks with its pummelling drums and ever-changing guitar chords, leaving the listener in a heap of bones on the floor.<\/p>\n<p>Although <em>Arrival At Six<\/em> is let down by a rather cheesy piece of cover art, it\u2019s what\u2019s inside that counts with this one. The title track is a behemoth of a number where Ola Malmstr\u00f6m sounds like the demonic offspring of Mot\u00f6rhead\u2019s Lemmy and Venom\u2019s Cronos, but one must also give props to the juddering bass and mid-tempo slaughter of the percussion. And if you\u2019re still unsure as to whether to part with your well-earned pennies, then just check out the punk \u2019n\u2019 roll rattle of \u2018Warbringer\u2019, with its vintage structures and the brutal closer \u2018Reborn Through Hate\u2019, where Malmstr\u00f6m barks, <em>\u201cI will dance on your fucking grave\u201d<\/em>&#8230; and he means it!<\/p>\n<p>It\u2019s only natural that the band has moved on since the murky days of the debut opus, but what they lack in gloomy originality they more than make up with energy. I guess anyone can call themselves a death metal band and puke out the same tired formula, but Sorcery, despite their shortcomings, have concocted a lethal potion that once again proves there is still life in some of the old, seemingly stagnant dogs yet.<\/p>\n<p><strong>Neil Arnold<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>SORCERYArrival At Six Xtreem Music (2013)Rating: 7.5\/10 Whoa there! Swedish death metal just suddenly got heavier&#8230; if that was at all possible? Sorcery \u2013 not be confused with countless other bands of the same moniker \u2013 have been banging heads together since the mid 80s, as one can tell when you hear this festering sore [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,648],"tags":[],"class_list":["post-13215","post","type-post","status-publish","format-standard","hentry","category-album-ep-reviews","category-sorcery"],"_links":{"self":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/13215","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/comments?post=13215"}],"version-history":[{"count":6,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/13215\/revisions"}],"predecessor-version":[{"id":13232,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/13215\/revisions\/13232"}],"wp:attachment":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/media?parent=13215"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/categories?post=13215"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/tags?post=13215"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}