{"id":12716,"date":"2013-06-07T00:00:14","date_gmt":"2013-06-07T00:00:14","guid":{"rendered":"http:\/\/www.metalforcesmagazine.com\/site\/?p=12716"},"modified":"2013-06-23T19:24:22","modified_gmt":"2013-06-23T19:24:22","slug":"album-review-children-of-bodom-halo-of-blood","status":"publish","type":"post","link":"https:\/\/www.metalforcesmagazine.com\/site\/album-review-children-of-bodom-halo-of-blood\/","title":{"rendered":"CHILDREN OF BODOM – Halo Of Blood (2013) | Album \/ EP Reviews @ Metal Forces Magazine"},"content":{"rendered":"

CHILDREN OF BODOM
Halo Of Blood<\/strong><\/span>
\n\"\"
\nNuclear Blast (2013)<\/span>
Rating: 7\/10<\/strong><\/span><\/p>\n

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Everyone\u2019s favourite Finns return with their eighth studio album, Halo Of Blood<\/em>. The album was recorded in Helsinki, Finland with engineer Mikko Karmila and producer extraordinaire Peter T\u00e4gtgren (Hypocrisy \/ Pain) overseeing vocals and keyboards. The album\u2019s artwork was created by Sami Saramki, who was previously involved with the covers for the band\u2019s albums Follow The Reaper<\/em> (2000), Hate Crew Death Roll<\/em> (2003) and Are You Dead Yet?<\/em> (2005). <\/p>\n

While the band have spent a lot of time thrashing it up on the last few albums, Halo Of Blood<\/em> offers a better mix of the band\u2019s powerful early works and their more recent (and more aggressive) work. The band give the songs a little more breathing room here which, in turn, allows for that classic, big guitar \/ traditional metal sound to seep back in to the mix. <\/p>\n

Take \u2018Scream For Silence\u2019, for instance. It features pounding rhythms that keep the song grounded while the virtuosic lead guitars completely envelop you. Alexi Laiho\u2019s lead work is complimented well but he\u2019s screaming the vocals, sounding like the madman he did on Blooddrunk<\/em><\/a> (2008) vocally. The sharp stuttering guitars and scale-bending leads (both guitars and keyboards) of \u2018Bodom Blue Moon (The Second Coming)\u2019 are aggressive as hell but they also manage to keep just enough of that classy, traditional metal edge that fans of their early work will be drawn back in quickly. The slower-paced \u2018Dead Man\u2019s Hand On You\u2019 helps separate Halo Of Blood<\/em> from the band\u2019s other works. The screaming, but much darker vocal work is haunting in a black metal sort of way, while the music is slow and heavy, like a theme song to some sort of dark carnival.<\/p>\n

If you are a fan of the band\u2019s post-Are You Dead Yet?<\/em> work, they\u2019ve got you covered as well. The band rip through a number of songs at a breakneck speed, with superfast solos and powerful, banshee-like screaming. \u2018Waste Of Skin\u2019, \u2018The Days Are Numbered\u2019 and \u2018All Twisted\u2019 boast that sound and would have been solid additions to any of the albums from this era. They don\u2019t really break any new ground, and after hearing so many songs on here that bring back the more anthemic music of the band\u2019s early works, they almost feel ho-hum in comparison. I will say though that the title track is an excellent bridge between the dual personalities of Children Of Bodom. It features breakneck-speed riffing, but not for the entire song, and the strong in the mix keyboards and varied vocals (growly and banshee) really help it to rise to the top of the pecking order on this track list.<\/p>\n

When all is said and done, I\u2019d put this somewhere between Hate Crew Death Roll<\/em> and Blooddrunk<\/em>, but it\u2019s not quite as dynamic or memorable as either of those albums. This is a good listen and a solid album but unless you are a diehard fan of Children Of Bodom, it\u2019s not going to sound a whole lot different than their other albums to you. Diehard fans will notice the \u201cold\u201d sound coming back into the mix more though and will likely find this a lot more enjoyable and a lot more memorable than Relentless Reckless Forever<\/em> (2011). <\/p>\n

Mark Fisher<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

CHILDREN OF BODOMHalo Of Blood Nuclear Blast (2013)Rating: 7\/10 Everyone\u2019s favourite Finns return with their eighth studio album, Halo Of Blood. The album was recorded in Helsinki, Finland with engineer Mikko Karmila and producer extraordinaire Peter T\u00e4gtgren (Hypocrisy \/ Pain) overseeing vocals and keyboards. The album\u2019s artwork was created by Sami Saramki, who was previously […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[286],"tags":[],"class_list":["post-12716","post","type-post","status-publish","format-standard","hentry","category-children-of-bodom"],"_links":{"self":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/12716","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/comments?post=12716"}],"version-history":[{"count":3,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/12716\/revisions"}],"predecessor-version":[{"id":12720,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/12716\/revisions\/12720"}],"wp:attachment":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/media?parent=12716"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/categories?post=12716"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/tags?post=12716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}