{"id":11654,"date":"2013-04-26T00:00:21","date_gmt":"2013-04-26T00:00:21","guid":{"rendered":"http:\/\/www.metalforcesmagazine.com\/site\/?p=11654"},"modified":"2013-07-20T11:47:22","modified_gmt":"2013-07-20T11:47:22","slug":"album-review-orchid-the-mouths-of-madness","status":"publish","type":"post","link":"https:\/\/www.metalforcesmagazine.com\/site\/album-review-orchid-the-mouths-of-madness\/","title":{"rendered":"ORCHID &#8211; The Mouths Of Madness (2013) | Album \/ EP Reviews @ Metal Forces Magazine"},"content":{"rendered":"<p><span class=\"title2\"><strong>ORCHID<br \/>The Mouths Of Madness<\/strong><\/span><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" border=\"0\" alt=\"\" height=\"3\" \/><br \/>\n<span class=\"title3\"><span style=\"color: #c80000;\">Nuclear Blast (2013)<\/span><br \/><strong>Rating: 6.5\/10<\/strong><\/span><\/p>\n<div class=\"image floatedright\">\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td><img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" width=\"10\" border=\"0\"><\/td>\n<td>\n<div align=\"center\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/uploads\/2013\/05\/orchid_themouthsofmadness.jpg\" height=\"200\" width=\"200\" border=\"0\"><\/p>\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td>\n<div align=\"left\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<td>\n<div align=\"right\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<p>I have to admit that I was a bit hesitant about reviewing <em>The Mouths Of Madness<\/em>, the second full-length opus from San Francisco doom metallers Orchid. The reason for my caution in reviewing this nine-tracker is the fact that so many doom bands have emerged over the last decade or so, and most of them have simply tried to ape that classic <a href=\"\/site\/black-sabbath-articles\/\" target=\"_blank\">Black Sabbath<\/a> sound and imagery.<\/p>\n<p>For me, this style of imitation had all been done before with the more sincere, yet creaky sounds of Pentagram, Count Raven, Witchfinder General etc., and I\u2019ve found myself literally dozing off to albums written by all these stoner types who\u2019ve made an entire career out of writing songs with the word \u201cwizard\u201d in the title.<\/p>\n<p>And so, I stepped into the ill-lit corners and gave Orchid\u2019s new opus a spin and I\u2019m delighted to say that it\u2019s not the droll doom affair I was expecting, although there are many parts which have literally been plucked from the Tony Iommi (Black Sabbath) back catalogue.<\/p>\n<p>For those not in the know, Orchid is a four-piece fronted by vocalist Theo Mindell, whilst his sinister, sleepy side-kicks are guitarist Mark Thomas Baker, bassist Keith Nickell and drummer Carter Kennedy.<\/p>\n<p>I have to admit I wasn\u2019t a big fan of their 2011 full-length debut opus <em>Capricorn<\/em>, nor the two EPs \u2013 <em>Heretic<\/em> (2012) and <em>Wizard Of War<\/em> (2013) \u2013 that followed, but <em>The Mouths Of Madness<\/em> is a more rewarding, if somewhat predictable experience that is built upon that strong Black Sabbath influence which is constructed on those Iommi-style leads \/ riffs and vintage structures. Mindell is a half-decent vocalist but his banshee moan does nothing to set itself aside from the countless other demonic spawns of Ozzy Osbourne.<\/p>\n<p>For the most part, <em>The Mouths Of Madness<\/em> sounds like a record that has come to fruition after too many nights of the band listening to classic Black Sabbath albums such as <em>Paranoid <\/em>(1970) and <em>Master Of Reality<\/em> (1971), so you know what you\u2019re getting here, but thankfully it\u2019s not the slow, fuzzy noise that so many so-called doom bands have been churning out over the last few, bong-sucked years.<\/p>\n<p>The title track drifts on a riff that sounds as if it\u2019s been lifted from Black Sabbath\u2019s mighty <em>Sabotage<\/em> (1975). \u2018Marching Dogs Of War\u2019 is a mid-paced, oaken ode to just about every Sabbath song ever recorded, and \u2018Silent One\u2019, with its creeping bass intro, has the same sombre feel, harbouring formulaic rainy riffs and jazzed up drum structures.<\/p>\n<p>I\u2019m sure many who hear this opus will disagree with my opinion, but the facts are that Orchid are nothing out of the ordinary; such is the Black Sabbath influence that it\u2019s difficult to take the band seriously. I\u2019d rather slap on the far superior Sabbath records than sit through another tired batch of songs that are lesser versions of those original classics.<\/p>\n<p>The structures here, on literally every track, are so predictable, whether in the form of the lumbering \u2018Mountains Of Steel\u2019 or the more upbeat, sprightly groove of \u2018Leaving It All Behind\u2019. However, it seems that at any minute I\u2019m expecting the sullen wails of Ozzy to come out of the speakers.<\/p>\n<p>Now Cathedral have dissolved, the doom metal genre is unable to produce anything remotely original \u2013 long gone are the days when Candlemass and the like told tales of elegant woe. And, as \u2018Wizard Of War\u2019 chugs into motion with its throw-back dreariness I\u2019m suddenly cringing with frustration.<\/p>\n<p>Despite my moans and groans, Orchid is one of the better bands who are part of this classic rock revival fad, but I hope that like so many other annoying trends before it, this revival rock trend doesn\u2019t last too long because there are only so many Black Sabbath imitators I can stand.<\/p>\n<p><strong>Neil Arnold<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ORCHIDThe Mouths Of Madness Nuclear Blast (2013)Rating: 6.5\/10 I have to admit that I was a bit hesitant about reviewing The Mouths Of Madness, the second full-length opus from San Francisco doom metallers Orchid. The reason for my caution in reviewing this nine-tracker is the fact that so many doom bands have emerged over the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,585],"tags":[],"class_list":["post-11654","post","type-post","status-publish","format-standard","hentry","category-album-ep-reviews","category-orchid"],"_links":{"self":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/11654","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/comments?post=11654"}],"version-history":[{"count":8,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/11654\/revisions"}],"predecessor-version":[{"id":13091,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/11654\/revisions\/13091"}],"wp:attachment":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/media?parent=11654"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/categories?post=11654"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/tags?post=11654"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}