{"id":105796,"date":"2026-02-06T00:00:46","date_gmt":"2026-02-06T00:00:46","guid":{"rendered":"https:\/\/www.metalforcesmagazine.com\/site\/?p=105796"},"modified":"2026-02-11T11:02:51","modified_gmt":"2026-02-11T11:02:51","slug":"album-review-mayhem-liturgy-of-death","status":"publish","type":"post","link":"https:\/\/www.metalforcesmagazine.com\/site\/album-review-mayhem-liturgy-of-death\/","title":{"rendered":"MAYHEM &#8211; Liturgy Of Death (2026) | Album \/ EP Reviews @ Metal Forces Magazine"},"content":{"rendered":"<p><span class=\"title2\"><strong>MAYHEM<br \/>\nLiturgy Of Death<\/strong><\/span><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" border=\"0\" alt=\"\" height=\"3\"><br \/>\n<span class=\"title3\"><span style=\"color: #c80000;\">Century Media (2026)<\/span><br \/>\n<strong>Rating: 8.5\/10<\/strong><\/span><\/p>\n<div class=\"image floatedright\">\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tbody>\n<tr valign=\"top\">\n<td><img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" width=\"10\" border=\"0\"><\/td>\n<td>\n<div align=\"center\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/uploads\/2026\/02\/mayhem_liturgyofdeath.jpg\" height=\"200\" width=\"200\" border=\"0\"><\/p>\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tbody>\n<tr valign=\"top\">\n<td>\n<div align=\"left\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<td>\n<div align=\"right\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<p>To fully understand and appreciate the truly mesmeric quality of the legendary Mayhem one must ignore the cold mists of their past. While the Norwegian band\u2019s classic 1994 opus <em>De Mysteriis Dom Sathanas<\/em> remains embedded in folklore, the Mayhem of today, and the last few decades, is an entirely different beast to contend with.<\/p>\n<p>Focus on the now and you\u2019ll come to terms with how good <em>Liturgy Of Death<\/em> is. This is a record that obviously brims with the same evil confidence of yore, but technically it is light years above and beyond the foggy vapours of the Norwegian inner circle which resulted in unholy fires and death. Mayhem are Attila Csihar (vocals), Ghul (guitar), Teloch (guitar), Necrobutcher (bass) and Hellhammer (drums); a stable formation for well over a decade and one which once again provides quite the immersive adventure.<\/p>\n<p>What I really like about Mayhem is that their albums, especially since Attila\u2019s return in the mid-2000s, require several listens before you even begin to scratch the surface of their dizzying arcane caverns. On my eighth spin of this latest opus I\u2019m still marvelling at the hidden whirlwinds beyond the already suffocating and thorny nooks. Scowling from the most barbaric of depths, Attila bellows, croons, snarls and snaps like a possessed preacher. Beyond mere theatrical presence, Attila commands and demands as around him his fellow cult members ply their trade; Hellhammer and Necrobutcher flailing and grinding in sinister tandem as black riffs swirl and nefarious solos snake around the rumble of bass.<\/p>\n<p>The result is a smorgasbord of devilish dissonance and smothering gloom summed up by the emphatic chimes of epic closer \u2018The Sentence Of Absolution\u2019. It simmers initially with a black majesty, smouldering as toxic gaseous ooze before its tentacles unfold and you\u2019re dragged into the abyss of colossal grandeur. Mayhem has never constructed such a monolith and it\u2019s the perfect way to finish the first Mayhem album in over six long years.<\/p>\n<p>Elsewhere, the record is littered with tight, lung-scraping hate campaigns fuelled by the belligerence of bass and drums which act as summoning chants of primordial majesty. \u2018Aeon\u2019s End\u2019 jabs with unorthodox aplomb; all axe work presenting itself as thorny and alien. Hellhammer is a law unto himself, projecting himself through his own circling tirades on \u2018Propitious Death\u2019; his demonic waves loudly going about their brutal business before the gargantuan guitar work lifts the track into further turbulent zenith.<\/p>\n<p>It\u2019s strange that some \u201cfans\u201d still yearn for those vintage days, but if you are seeking such blistering pleasures then \u2018Funeral Of Existence\u2019 should suffice, although everything offered here still boasts that unnerving, ice cold glare. \u2018Ephemeral Eternity\u2019 opens the album with a tumble of percussion and that ever recognisable glint of suspense and dread. Mayhem remains masters of menace, enticing you into their web of intrigue before snapping at your flesh like a horde of bloodthirsty demons. It\u2019s also truly staggering how every song unravels as an expansive platform; there\u2019s a cold yet dense atmosphere to each turbulent vortex, the constant tirades merging with icier trickles alongside the general atmosphere of despair and all consuming wickedness.<\/p>\n<p>The obscurity may have left the indelible aura of this band, but the esoteric mystery remains, embedded like some ancient sordid artefacts of utmost power.<\/p>\n<p><strong>Neil Arnold<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>MAYHEM Liturgy Of Death Century Media (2026) Rating: 8.5\/10 To fully understand and appreciate the truly mesmeric quality of the legendary Mayhem one must ignore the cold mists of their past. While the Norwegian band\u2019s classic 1994 opus De Mysteriis Dom Sathanas remains embedded in folklore, the Mayhem of today, and the last few decades, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,1231],"tags":[],"class_list":["post-105796","post","type-post","status-publish","format-standard","hentry","category-album-ep-reviews","category-mayhem"],"_links":{"self":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/105796","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/comments?post=105796"}],"version-history":[{"count":2,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/105796\/revisions"}],"predecessor-version":[{"id":105798,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/105796\/revisions\/105798"}],"wp:attachment":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/media?parent=105796"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/categories?post=105796"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/tags?post=105796"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}