{"id":105200,"date":"2025-07-25T00:00:00","date_gmt":"2025-07-24T23:00:00","guid":{"rendered":"https:\/\/www.metalforcesmagazine.com\/site\/?p=105200"},"modified":"2025-08-05T16:19:57","modified_gmt":"2025-08-05T15:19:57","slug":"album-review-alice-cooper-the-revenge-of-alice-cooper","status":"publish","type":"post","link":"https:\/\/www.metalforcesmagazine.com\/site\/album-review-alice-cooper-the-revenge-of-alice-cooper\/","title":{"rendered":"ALICE COOPER &#8211; The Revenge Of Alice Cooper (2025) | Album \/ EP Reviews @ Metal Forces Magazine"},"content":{"rendered":"<p><span class=\"title2\"><strong>ALICE COOPER<br \/>\nThe Revenge Of Alice Cooper<\/strong><\/span><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" border=\"0\" alt=\"\" height=\"3\"><br \/>\n<span class=\"title3\"><span style=\"color: #c80000;\">earMUSIC (2025)<\/span><br \/>\n<strong>Rating: 7\/10<\/strong><\/span><\/p>\n<div class=\"image floatedright\">\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tbody>\n<tr valign=\"top\">\n<td><img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" width=\"10\" border=\"0\"><\/td>\n<td>\n<div align=\"center\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/uploads\/2025\/08\/alicecooper_therevengeofalicecooper.jpg\" height=\"200\" width=\"200\" border=\"0\"><\/p>\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tbody>\n<tr valign=\"top\">\n<td>\n<div align=\"left\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<td>\n<div align=\"right\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<p>Now that the prince of darkness Ozzy Osbourne (R.I.P.) has shuffled from this mortal realm, the onus must surely be on fellow theatrical shock rocker Alice Cooper to keep the fires burning. With a line-up featuring the surviving members of the original Alice Cooper 70s band, <em>The Revenge Of Alice Cooper<\/em> comes adorned in a wonderfully ghoulish cover art which, like many Alice releases, contradicts the content within somewhat.<\/p>\n<p>I\u2019m sure many Alice Cooper fans will dig this, the eighth full-length studio platter from the band (although Cooper\u2019s 30th in total) and their first collaboration since 1973 outing <em>Muscle Of Love<\/em>. This is somewhat standard fare, give or take a few strong tracks. It is middle of the road rock that couldn\u2019t say boo to a goose, let alone produce jump scares, but Alice brings a certain charm with those tongue-in-cheek sneers.<\/p>\n<p>Of course, it\u2019s great to hear Michael Bruce (rhythm guitar), Dennis Dunaway (bass) and Neal Smith (drums) reunited with Coop, and there\u2019s even the inclusion of some previously unreleased guitar parts of former original member Glen Buxton, who passed away in 1997. The album also features the talents of three other lead guitarists: Rick Tedesco, Gyasi Heus and Robby Krieger. Krieger, best known for being the founding member of U.S. band The Doors, lends his skills to lead single \u2018Black Mamba\u2019.<\/p>\n<p>Now, although I was somewhat excited for this album, I had my reservations in spite of being mildly impressed by \u2018Black Mamba\u2019 but underwhelmed by subsequent singles \u2018Wild Ones\u2019 and \u2018Up All Night\u2019. I feel a throb of guilt in the fact that I think this album is as flat as a pancake at times. Maybe it\u2019s just Bob Ezrin\u2019s production that dampens what should be excited spirits. It\u2019s the same feelings I got when reviewing the last six Ozzy Osbourne albums, but, unlike a lot of reviewers, I\u2019m here to be honest rather than suck rock n\u2019 roll ass.<\/p>\n<p><em>The Revenge&#8230;<\/em> boasts 14 songs, so at a few minutes short of an hour it does feel a touch too long. The album kicks off with \u2018Black Mamba\u2019, written by Cooper, Bruce and producer Ezrin. It\u2019s as spooky and sinister as the album gets, but it\u2019s a strong start. Alice narrates in creepy fashion, <em>\u201cI think I&#8217;ll hide inside your bed sheets, coiled into the folds so white I\u2019ll just watch you while you&#8217;re sleeping darling, and decide if I should bite\u201d<\/em>. It\u2019s the sort of Halloween treat that wouldn\u2019t seem out of place on Alice\u2019s <em>Constrictor<\/em> (1986) or <em>Raise Your Fist And Yell<\/em> (1987) but bereft of Kane Roberts\u2019 axe work. Led by a funky zap of bass the track struts cocksure as Alice croons, <em>\u201cI\u2019m so beautiful to look at, but oh so dangerous to touch\u201d<\/em>. There\u2019s a strong musty odour from the 70s as the combo creaks in black leather to the lead work of Krieger. The infectious <em>\u201cya ya ya ya ya ya ya ya\u201d<\/em> chorus is an instant earworm as the track plods with seductive menace. It\u2019s a shame then that the rest of the album is less impactful.<\/p>\n<p>The real star here is Dunaway. The way his bass runs like liquid gold through \u2018Wild Ones\u2019 is a joy to hear, but it\u2019s not a track I have warmed to in spite of the solid chorus. \u2018Up All Night\u2019 is similarly generic, bolstered by a fizzy AC\/DC riff and a bland but catchy chorus circa 1988, it\u2019s already clear that any wisps of spookiness have been blown away. But in praise of the musicians assembled, so have the cobwebs.<\/p>\n<p>There\u2019s no doubt this is steady rock music, but there\u2019s just too much mediocrity on offer. \u2018Money Screams\u2019, \u2018Crap That Gets In The Way Of Your Dreams\u2019, with its Kinks-esque riff steal, and late 50s groover \u2018Inter Galactic Vagabond Blues\u2019, are prime examples of what I perceive as filler cuts. In general, though, I feel like I\u2019m listening to a mix of The Ramones and scenes from the movies <em>The Rocky Horror Picture Show<\/em> (1975) and <em>Little Shop Of Horrors<\/em> (1986).<\/p>\n<p>At times there\u2019s intrigue; \u2018Blood On The Sun\u2019 features a stomping AC\/DC riff and a cosmic glam rock chorus. Meanwhile, the bluesy cover rendition of The Yardbirds\u2019 \u2018I Ain\u2019t Done Wrong\u2019, led by harmonica, is solid and dusty. However, there&#8217;s an inconsistency to this album. \u2018Money Screams\u2019 is a glammy stomper with a tough riff buzz, while \u2018One Night Stand\u2019 and \u2018Kill The Flies\u2019 with its 60s \/ 70s horror-themed musical vibe are fun, but I just don\u2019t see myself as being devoted to heavy rotation.<\/p>\n<p>Songs such as \u2018What A Syd\u2019 (the perfect soundtrack to any late night jazz-cum-burlesque club) irritate rather than excite, but I have to admit that there were many moments throughout this platter when my tapping foot betrayed by sceptical mind. Nice also to hear Glen Buxton\u2019s guitar on \u2018What Happened To You\u2019, the track boasting a sleazy and punky edge.<\/p>\n<p>I think that nostalgia may cloud a lot of people\u2019s judgement here, but when the smoke clears, as it did very quickly for me, I concluded that while <em>The Revenge Of Alice Cooper<\/em> is a welcome return, it\u2019s also a patchy record that could have benefited from being shorter. However, with the passing of Ozzy we really do need Mr Cooper to hang around for as long as possible, even if the once looming shadows are fading.<\/p>\n<p><strong>Neil Arnold<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ALICE COOPER The Revenge Of Alice Cooper earMUSIC (2025) Rating: 7\/10 Now that the prince of darkness Ozzy Osbourne (R.I.P.) has shuffled from this mortal realm, the onus must surely be on fellow theatrical shock rocker Alice Cooper to keep the fires burning. With a line-up featuring the surviving members of the original Alice Cooper [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,367],"tags":[],"class_list":["post-105200","post","type-post","status-publish","format-standard","hentry","category-album-ep-reviews","category-alice-cooper"],"_links":{"self":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/105200","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/comments?post=105200"}],"version-history":[{"count":2,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/105200\/revisions"}],"predecessor-version":[{"id":105208,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/105200\/revisions\/105208"}],"wp:attachment":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/media?parent=105200"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/categories?post=105200"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/tags?post=105200"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}