{"id":103997,"date":"2024-09-27T00:00:38","date_gmt":"2024-09-26T23:00:38","guid":{"rendered":"http:\/\/www.metalforcesmagazine.com\/site\/?p=103997"},"modified":"2024-10-02T12:12:02","modified_gmt":"2024-10-02T11:12:02","slug":"album-review-midnight-force-severan","status":"publish","type":"post","link":"https:\/\/www.metalforcesmagazine.com\/site\/album-review-midnight-force-severan\/","title":{"rendered":"MIDNIGHT FORCE &#8211; Severan (2024) | Album \/ EP Reviews @ Metal Forces Magazine"},"content":{"rendered":"<p><span class=\"title2\"><strong>MIDNIGHT FORCE<br \/>Severan<\/strong><\/span><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" border=\"0\" alt=\"\" height=\"3\" \/><br \/>\n<span class=\"title3\"><span style=\"color: #c80000;\">Dying Victims Productions (2024)<\/span><br \/><strong>Rating: 8\/10<\/strong><\/span><\/p>\n<div class=\"image floatedright\">\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td><img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" width=\"10\" border=\"0\"><\/td>\n<td>\n<div align=\"center\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/uploads\/2024\/10\/midnightforce_severan.jpg\" height=\"200\" width=\"200\" border=\"0\"><\/p>\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td>\n<div align=\"left\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<td>\n<div align=\"right\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<p>Dishing out nostalgic metal merriment since 2016, Scottish \/ German rockers Midnight Force take to their third full-length journey by once again flitting between mythological mirth and New Wave Of British Heavy Metal strokes.<\/p>\n<p>New opus <em>Severan<\/em> could easily be some obscure late 70s rain-soaked UK rocker, or alternatively a mist shrouded Swedish effort from the early 80s. There is an element of the grandiose about such archaic and autumnal tremors, a wistful cocktail of early Manilla Road and Wishbone Ash served with a twist of Cirith Ungol as a variety of atmospheric tracks warm the cockles. The voice of John Gunn is a forceful bewitching snarl that emerges from the back of his throat to form a commanding warble.<\/p>\n<p>\u2018Megas Alexandros\u2019 \u2013 a tale which refers to Alexander The Great \u2013 wonderfully exhibits the fluid motions of the musicianship, the combo teasing us with a nostalgic and wistful classic rock sound that gallops with vim. Naturally, the classic NWOBHM influence is what causes such tapestries to come alive as if one is thumbing through a delicate historical manuscript dripping with tales of ancient bloodshed.<\/p>\n<p>The previous works from the band seemed to feature a smog of doom, and while <em>Severan<\/em> does still achieve levels of gloom it\u2019s more of a caress as the infectious chorus of \u2018Last Raider King\u2019 is lifted further by the brisk axework of Ansgar Burke, whose wizardry is woven through a myriad of ye olde tales.<\/p>\n<p>\u2018Three Empires Fall\u2019 boasts a loose bass courtesy of Brenden Crow that effortlessly trickles in tandem with the brisk drum patterns formed by Peter Werninck. <em>\u201cSummoned by an ancient tale, follow brooks and mountain tombs, Calling for a summer gale, In my chest a pounding soon\u201d<\/em> booms Gunn on \u2018Bergentr\u00fcckung\u2019 as if narrating some Tolkienesque stage play. There is always hope beneath the fiery winds though; <em>\u201cRavens cry high above, light the torch and toll the bell. Slumber ends and mountains thaw, new dawns will come\u201d<\/em>. And suddenly the mist clears before another yarn is spun, namely \u2018The Fires Of Nanyue\u2019, as again the sharp guitars and drums lead the way.<\/p>\n<p>At any moment one feels that Midnight Force could transform into something doomy or speedy, such are the variations within the structure of the band. \u2018Sleeping City\u2019 has a measured approach, although the drums provide quite the clatter to accompany the playful lead work, while \u2018Row, Massilians, Row\u2019 has an emphatic power metal vibe, but there\u2019s nothing more colossal than the folk-tinged power jig of the title cut which adds fiddle, flute and cello to the already intriguing charges of Gunn\u2019s vocals and those daring 70s feels circa Wishbone Ash or even Jethro Tull with extra riotous padding.<\/p>\n<p><em>Severan<\/em> is an all encompassing return from Midnight Force and an album all true rockers should be putting on their Christmas list.<\/p>\n<p><strong>Neil Arnold<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>MIDNIGHT FORCESeveran Dying Victims Productions (2024)Rating: 8\/10 Dishing out nostalgic metal merriment since 2016, Scottish \/ German rockers Midnight Force take to their third full-length journey by once again flitting between mythological mirth and New Wave Of British Heavy Metal strokes. New opus Severan could easily be some obscure late 70s rain-soaked UK rocker, or [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,5795],"tags":[],"class_list":["post-103997","post","type-post","status-publish","format-standard","hentry","category-album-ep-reviews","category-midnight-force"],"_links":{"self":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/103997","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/comments?post=103997"}],"version-history":[{"count":2,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/103997\/revisions"}],"predecessor-version":[{"id":103999,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/103997\/revisions\/103999"}],"wp:attachment":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/media?parent=103997"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/categories?post=103997"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/tags?post=103997"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}