{"id":103290,"date":"2024-05-20T00:00:18","date_gmt":"2024-05-19T23:00:18","guid":{"rendered":"http:\/\/www.metalforcesmagazine.com\/site\/?p=103290"},"modified":"2024-05-28T12:01:39","modified_gmt":"2024-05-28T11:01:39","slug":"album-review-blasteroid-crypts-of-mind","status":"publish","type":"post","link":"https:\/\/www.metalforcesmagazine.com\/site\/album-review-blasteroid-crypts-of-mind\/","title":{"rendered":"BLASTEROID &#8211; Crypts Of Mind (2024) | Album \/ EP Reviews @ Metal Forces Magazine"},"content":{"rendered":"<p><span class=\"title2\"><strong>BLASTEROID<br \/>Crypts Of Mind<\/strong><\/span><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" border=\"0\" alt=\"\" height=\"3\" \/><br \/>\n<span class=\"title3\"><span style=\"color: #c80000;\">Self-released (2024)<\/span><br \/><strong>Rating: 7.5\/10<\/strong><\/span><\/p>\n<div class=\"image floatedright\">\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td><img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" width=\"10\" border=\"0\"><\/td>\n<td>\n<div align=\"center\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/uploads\/2024\/05\/blasteroid_cryptsofmind.jpg\" height=\"200\" width=\"200\" border=\"0\"><\/p>\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td>\n<div align=\"left\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<td>\n<div align=\"right\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<p>Taking influence from the likes of Atheist, Pestilence, Vektor, Revocation and Nocturnus, Greek five-piece Blasteroid is the latest in a long line of bands to take the progressive death \/ thrash route. Abrasive, dissonant, jarring and aligned with the cosmos, this debut full-length outing will provide joy to anyone with a penchant for lands and denizens of otherworldly origin.<\/p>\n<p>This is an album that has certainly taken its time to be born, after all, the quintet formed back in 2016 and have only released one EP \u2013 <em>Universal Knowledge<\/em> (2017) \u2013 in that time. With <em>Crypts Of Mind<\/em> you get blasted by nine tracks befitting of the celestial cover art as \u2018The Final Parsec\u2019 kicks things off. The track immediately prompts me to look up the meaning of \u201cparsec\u201d, the result being that it\u2019s \u201c&#8230;a unit of length used to measure the large distances to astronomical objects outside the Solar System, approximately equal to 3.26 light years or 206, 265 astronomical units\u201d, in case you didn\u2019t know!<\/p>\n<p>Musically, it\u2019s the expected galactic whirlwind of wizardry that evokes images of subatomic particles, sizzling death rays, otherworldly vapours and colossal angular extraterrestrial ships. The vocals of Alexis Papatheofanous are throaty expressions that scrape along to the ever shifting axe, bass and drum work. Speedy segments then jolt into another groove as quizzical meandering touches upon Voivod-styled landscaping.<\/p>\n<p>So many bands have churned out similar twisted metal compositions so even with its technicality, <em>Crypts Of Mind<\/em> is nothing new but I have to praise the Athens-based combo for crafting such an intriguing opus. The bass of Manos Skoularakos is plucky, the drums of Jim Makrinakis scramble the brain with their patterns and the guitar team of Chris Koutalelis and Spuros Pavlis construct what is seemingly a tangled yet robust net of complexity. Admittedly, each track feels a tad long but each one will take several listens before any access is provided.<\/p>\n<p>The solos on offer are fantastic, working their way through which are mostly serrated labyrinths that are punctuated by briefly subtle and reflective interludes, as evidenced on \u2018Of Nature Unknown\u2019 and \u2018Chaos God\u2019 which for a majority of their duration exist as scathing and caustic sneers. It is comforting that the album offers more subdued elements, for example \u2018Void Alchemy\u2019 which comes as a welcoming respite after the coruscating assault of \u2018Entwined\u2019. \u2018Void Alchemy\u2019 leans more towards a progressive rock track with its bubbly bass and fluid lead work, hinting at Cynic before the return back to saw-toothed familiarity.<\/p>\n<p>Mild instrumental \u2018Binary Orbit\u2019 leaks into \u2018Reign Of Eris\u2019, another jagged and pulverising exercise in brash and bold thrash. And that\u2019s basically how the album finishes as the brace of \u2018Mass Synthesis\u2019 and the title track display more skittish behaviour; twisting leads squirming through a wiry maze of alien gas, percussion dribbling into the trickery of the bass fluidity. Again, Vektor springs to mind, not a bad thing but simple proof that such complex extreme metal is still being recycled. Even so, <em>Crypts Of Mind<\/em> is a rewarding jagged little pill if you like to get high on this kind of scrap metal clank from another world.<\/p>\n<p><strong>Neil Arnold<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>BLASTEROIDCrypts Of Mind Self-released (2024)Rating: 7.5\/10 Taking influence from the likes of Atheist, Pestilence, Vektor, Revocation and Nocturnus, Greek five-piece Blasteroid is the latest in a long line of bands to take the progressive death \/ thrash route. Abrasive, dissonant, jarring and aligned with the cosmos, this debut full-length outing will provide joy to anyone [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,5695],"tags":[],"class_list":["post-103290","post","type-post","status-publish","format-standard","hentry","category-album-ep-reviews","category-blasteroid"],"_links":{"self":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/103290","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/comments?post=103290"}],"version-history":[{"count":1,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/103290\/revisions"}],"predecessor-version":[{"id":103291,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/103290\/revisions\/103291"}],"wp:attachment":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/media?parent=103290"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/categories?post=103290"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/tags?post=103290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}