{"id":103215,"date":"2024-05-17T00:00:45","date_gmt":"2024-05-16T23:00:45","guid":{"rendered":"http:\/\/www.metalforcesmagazine.com\/site\/?p=103215"},"modified":"2024-05-20T12:30:42","modified_gmt":"2024-05-20T11:30:42","slug":"album-review-kerry-king-from-hell-i-rise","status":"publish","type":"post","link":"https:\/\/www.metalforcesmagazine.com\/site\/album-review-kerry-king-from-hell-i-rise\/","title":{"rendered":"KERRY KING &#8211; From Hell I Rise (2024) | Album \/ EP Reviews @ Metal Forces Magazine"},"content":{"rendered":"<p><span class=\"title2\"><strong>KERRY KING<br \/>From Hell I Rise<\/strong><\/span><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" border=\"0\" alt=\"\" height=\"3\" \/><br \/>\n<span class=\"title3\"><span style=\"color: #c80000;\">Reigning Phoenix Music (2024)<\/span><br \/><strong>Rating: 7\/10<\/strong><\/span><\/p>\n<div class=\"image floatedright\">\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td><img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" width=\"10\" border=\"0\"><\/td>\n<td>\n<div align=\"center\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/uploads\/2024\/05\/kerryking_fromhellirise.jpg\" height=\"200\" width=\"200\" border=\"0\"><\/p>\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td>\n<div align=\"left\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<td>\n<div align=\"right\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<p>With the remains of the mighty <a href=\"\/site\/slayer-articles\/\" target=\"_blank\">Slayer<\/a> still smouldering after dissolving in 2019, the bald axe-wielding barbarian known as Kerry King steps out of the choking debris smoke to deliver what is essentially <a href=\"\/site\/album-review-slayer-repentless\/\"><em>Repentless<\/em><\/a> <em>2.0<\/em>, and King said that himself. For this solo project Kerry King enlists the help of guitarist Phil Demmel (ex-Vio-lence \/ Machine Head), bassist Kyle Sanders (Hellyeah), drummer Paul Bostaph (Forbidden \/ Testament \/ Slayer) and frontman Mark Osegueda (Death Angel) who, rather unfortunately, spends most of the album aping Tom Araya instead of letting him channel his own identity.<\/p>\n<p>As per numerous underwhelming latter day Slayer records, King carves what he probably thinks are hateful and blasphemous master strokes of thrashing terror, although the stark reality is that this album is still the same ol\u2019 soundtrack to accompanying today\u2019s soulless American wrestlers to the ring. <em>From Hell I Rise<\/em> should be a blunt reminder to all the reasons why Slayer ran out of steam, in spite of King\u2019s stubbornness on delivering short, sharp expletives.<\/p>\n<p>The aggression continues here as the combo heads viciously back to Slayer\u2019s <a href=\"\/site\/album-review-slayer-god-hates-us-all\/\"><em>God Hates Us All<\/em><\/a> (2001) for a batch of fiery, serrated numbers. I\u2019m sure the fiercely loyal Slayer fans will disagree when I say that this platter is just Slayer Mk. 2, but that\u2019s exactly what it is, right down to the mostly short and blunt track titles like \u2018Crucifixation\u2019, \u2018Diablo\u2019, \u2018Toxic\u2019, \u2018Tension\u2019, \u2018Rage\u2019, \u2018Residue\u2019 and \u2018Shrapnel\u2019. Anyway, Kerry King and co. literally blaze through 46 minutes of thrash give or take a few steadier, moodier numbers such as the aforementioned \u2018Shrapnel\u2019.<\/p>\n<p>At its fastest, <em>From Hell I Rise<\/em> is extremely violent, the riffs maliciously act as a scathing torrents of black ice fused with molten shards of raining hear. I still find so many of King\u2019s song titles hilarious (\u2018Two Fists\u2019 and \u2018Everything I Hate About You\u2019); it\u2019s all so immature in its masculinity as the band desperately tries to ram home how evil its message is.<\/p>\n<p>I certainly didn\u2019t expect anything too diverse from King, but it is difficult to get excited here. In fact, it\u2019s extremely predictable stuff but will no doubt provide a quick fix for those gagging for a Slayer reunion. \u2018Where I Reign\u2019 fizzes by, led by Osegueda\u2019s frothing vocals. As expected Bostaph\u2019s percussion is bestial and King\u2019s leads wail wildly amidst a landscape of fire.<\/p>\n<p>Punky elements infiltrate the thick walls of ash as \u2018Tension\u2019 literally lives up to its name with a steady build up, a suspense sadly lacking in many of Slayer\u2019s later efforts. \u2018Trophies Of The Tyrant\u2019 spins a similar yarn, building like the Slayer classic \u2018Mandatory Suicide\u2019 but with less striking lyrical content.<\/p>\n<p>As an album, <em>From Hell I Rise<\/em> is the epitome of a teenage rant; fuck this, fuck that, fuck the world and fuck you. But it\u2019s made all the more ineffective by the fact that Slayer have reformed for shows later in the year, making this release seem rather pointless. However, it will still appeal greatly to a lot of Slayer fans because it sounds a lot like Slayer&#8230; just not as good.<\/p>\n<p><strong>Neil Arnold<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>KERRY KINGFrom Hell I Rise Reigning Phoenix Music (2024)Rating: 7\/10 With the remains of the mighty Slayer still smouldering after dissolving in 2019, the bald axe-wielding barbarian known as Kerry King steps out of the choking debris smoke to deliver what is essentially Repentless 2.0, and King said that himself. For this solo project Kerry [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,5685],"tags":[],"class_list":["post-103215","post","type-post","status-publish","format-standard","hentry","category-album-ep-reviews","category-kerry-king"],"_links":{"self":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/103215","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/comments?post=103215"}],"version-history":[{"count":1,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/103215\/revisions"}],"predecessor-version":[{"id":103216,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/103215\/revisions\/103216"}],"wp:attachment":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/media?parent=103215"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/categories?post=103215"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/tags?post=103215"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}