{"id":103142,"date":"2024-05-10T00:00:36","date_gmt":"2024-05-09T23:00:36","guid":{"rendered":"http:\/\/www.metalforcesmagazine.com\/site\/?p=103142"},"modified":"2024-05-10T11:50:15","modified_gmt":"2024-05-10T10:50:15","slug":"album-review-sebastian-bach-child-within-the-man","status":"publish","type":"post","link":"https:\/\/www.metalforcesmagazine.com\/site\/album-review-sebastian-bach-child-within-the-man\/","title":{"rendered":"SEBASTIAN BACH &#8211; Child Within The Man (2024) | Album \/ EP Reviews @ Metal Forces Magazine"},"content":{"rendered":"<p><span class=\"title2\"><strong>SEBASTIAN BACH<br \/>Child Within The Man<\/strong><\/span><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" border=\"0\" alt=\"\" height=\"3\" \/><br \/>\n<span class=\"title3\"><span style=\"color: #c80000;\">Reigning Phoenix Music (2024)<\/span><br \/><strong>Rating: 9\/10<\/strong><\/span><\/p>\n<div class=\"image floatedright\">\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td><img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" width=\"10\" border=\"0\"><\/td>\n<td>\n<div align=\"center\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/uploads\/2024\/05\/sebastianbach_childwithintheman.jpg\" height=\"200\" width=\"200\" border=\"0\"><\/p>\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td>\n<div align=\"left\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<td>\n<div align=\"right\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<p>Forget about the youths going wild, the glorious return of former Skid Row frontman Sebastian Bach in his mid-50s causes the same tingle down the spine as his solo monster <a href=\"\/site\/album-review-sebastian-bach-angel-down\/\"><em>Angel Down<\/em><\/a> from 2007 as well as signalling another raucous step back into the fold.<\/p>\n<p>It\u2019s been ten years since Bach\u2019s last record <a href=\"\/site\/album-review-sebastian-bach-give-em-hell\/\"><em>Give \u2019Em Hell<\/em><\/a>, so once again expect to be bashed around the lugholes by a massive wall of sound driven further into the soul by his infallible voice, which, with age, maintains a distinctive richness and fire but never once falling short of scale. Still leaping and chuckling like an enthusiastic heavy metal teenager who has just played his first record backwards, Bach enlists the help of some special guests, the equally exuberant John 5 (M\u00f6tley Cr\u00fce \/ ex-Rob Zombie), Steve Stevens (Billy Idol) and Orianthi (ex-Alice Cooper) to trample all underfoot.<\/p>\n<p><em>\u201cNow I\u2019m kicking ass and taking names,\u201d<\/em> Bach growls on \u2018Freedom\u2019 (featuring John 5); a man possessed by heavy metal yet still able to inject humour too as well as some serious reflection as depicted by the cover art painted by his late father David Bierk. Although there\u2019s no time for regretful thoughts on <em>Child Within The Man<\/em>. Instead, Bach brings nostalgia lyrically, but musically this record is very much of the present. Slamming riffs, scorching melodies and the simmering steam of subtlety litter this opus as Bach\u2019s voice booms, sneers and shreds. His larynx spouts bruising commands like a general rallying his troops as opening cut \u2018Everybody Bleeds\u2019 rings out across the horizon like a call to arms.<\/p>\n<p>Steve Stevens works his magic on \u2018F.U.\u2019 and Orianthi on \u2018Future Of Youth\u2019, but what I really admire here is the passion of Bach within the layers, because it would be all too easy for him to go through the motions and rest on his laurels. Instead, and like previous releases, he bombards the audience with mostly serious heavy metal, although the self deprecating track \u2018What Do I Got To Lose\u2019 (co-written with Miles Kennedy), and especially the video, is downright hilarious with its \u2018Monkey Business\u2019 aping. However, the lyrics are hardened and defiant as he rasps <em>\u201cWhat have I got to lose? What have I got to save? Still, there is no difference to me, it\u2019s all the same\u201d<\/em>.<\/p>\n<p>\u2018(Hold On) To The Dream\u2019 starts with a fragility before transforming into a downright tantrum, and then there\u2019s the ballsy \u2018Crucify Me\u2019 contrasted by the closing anthemic ballad \u2018To Live Again\u2019 (also co-written with Kennedy). It\u2019s all quintessential rock \u2018n\u2019 roll that rages, thumps, slaps, scowls, fist pumps, chest pounds and swaggers thanks not only to Bach\u2019s inimitable style but also through the potency of guitarist Devin Bronson, bassist Todd Kerns and drummer Jeremy Colson. The combo drives heavy and hard through the robust terrain of \u2018Vendetta\u2019 and also \u2018Hard Darkness\u2019, so there\u2019s no shortage of pure molten metal battering rams.<\/p>\n<p>As I\u2019ve said with previous reviews of Bach\u2019s solo outings, forget the Skid Row soap opera and focus on the real sound of heavy metal and let Sebastian be your guide, after all, what ya got to lose when there\u2019s clearly so much to gain.<\/p>\n<p><strong>Neil Arnold<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>SEBASTIAN BACHChild Within The Man Reigning Phoenix Music (2024)Rating: 9\/10 Forget about the youths going wild, the glorious return of former Skid Row frontman Sebastian Bach in his mid-50s causes the same tingle down the spine as his solo monster Angel Down from 2007 as well as signalling another raucous step back into the fold. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,393],"tags":[],"class_list":["post-103142","post","type-post","status-publish","format-standard","hentry","category-album-ep-reviews","category-sebastian-bach"],"_links":{"self":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/103142","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/comments?post=103142"}],"version-history":[{"count":1,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/103142\/revisions"}],"predecessor-version":[{"id":103143,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/103142\/revisions\/103143"}],"wp:attachment":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/media?parent=103142"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/categories?post=103142"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/tags?post=103142"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}