{"id":102974,"date":"2024-04-19T00:00:22","date_gmt":"2024-04-18T23:00:22","guid":{"rendered":"http:\/\/www.metalforcesmagazine.com\/site\/?p=102974"},"modified":"2024-04-22T14:41:33","modified_gmt":"2024-04-22T13:41:33","slug":"album-review-nuclear-tomb-terror-labyrinthian","status":"publish","type":"post","link":"https:\/\/www.metalforcesmagazine.com\/site\/album-review-nuclear-tomb-terror-labyrinthian\/","title":{"rendered":"NUCLEAR TOMB &#8211; Terror Labyrinthian (2024) | Album \/ EP Reviews @ Metal Forces Magazine"},"content":{"rendered":"<p><span class=\"title2\"><strong>NUCLEAR TOMB<br \/>Terror Labyrinthian<\/strong><\/span><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" border=\"0\" alt=\"\" height=\"3\" \/><br \/>\n<span class=\"title3\"><span style=\"color: #c80000;\">Everlasting Spew (2024)<\/span><br \/><strong>Rating: 8\/10<\/strong><\/span><\/p>\n<div class=\"image floatedright\">\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td><img decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/themes\/metalforces\/images\/spacer.gif\" width=\"10\" border=\"0\"><\/td>\n<td>\n<div align=\"center\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.metalforcesmagazine.com\/site\/wp-content\/uploads\/2024\/04\/nucleartomb_terrorlabyrinthian.jpg\" height=\"200\" width=\"200\" border=\"0\"><\/p>\n<table width=\"100%\" align=\"center\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\">\n<tr valign=\"top\">\n<td>\n<div align=\"left\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<td>\n<div align=\"right\"><span class=\"smalltext\"><\/span><\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<p>Almost a decade ago Baltimore, Maryland-based combo Nuclear Tomb teased out a 2015 single entitled \u2018Kill The Clowns\u2019 and then fell into silence, but then re-emerged three years later with a demo \u2013 <em>Admission Of Guilt<\/em> \u2013 which was followed by a brace of EPs \u2013 <em>Succumbing<\/em> (2019) and <a href=\"\/site\/ep-review-nuclear-tomb-offer-your-life\/\"><em>Offer Your Life<\/em><\/a> (2021) \u2013 over a three year period. The promise to erupt was always there although the quartet stayed relatively underground, but now, finally, a full-length album is upon us and what better roster to be on than Everlasting Spew Records.<\/p>\n<p>Nuclear Tomb\u2019s debut is a sneering, technical hailstorm of death-thrash that marries the snarling intensity of Sadus with strains of Pestilence at their most experimental. A serrated menace runs through <em>Terror Labyrinthian<\/em> as the band is led by the dehydrated barks of Michael Brown who alongside Matt Ibach brings a tour de force in the axe department.<\/p>\n<p>To a certain extent I did expect this outing to be more experimental, although there is still a lot going on with the numerous chord shifts and jarring episodes like on \u2018Manufacturing Consent\u2019 which boasts an angular Voivod-esque tirade, especially with the crazed bass work of Amelia Morris. The brooding chugs of \u2018Born Into Torment\u2019 are a menacing joy to behold, and JD Lookabill\u2019s jagged percussion comes to the fore on the torrential \u2018Vile Humanity\u2019 and chaotic closer \u2018Ashen Lamb\u2019.<\/p>\n<p>Some of the blasts on offer within the album remind me of Chilean deathaters Suppression, so while the influences here are clear this is still a potent outing that I\u2019ll recommend to anyone who likes their death thrash technical but as warming as a blizzard<br \/>\n.<\/p>\n<p><strong>Neil Arnold<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>NUCLEAR TOMBTerror Labyrinthian Everlasting Spew (2024)Rating: 8\/10 Almost a decade ago Baltimore, Maryland-based combo Nuclear Tomb teased out a 2015 single entitled \u2018Kill The Clowns\u2019 and then fell into silence, but then re-emerged three years later with a demo \u2013 Admission Of Guilt \u2013 which was followed by a brace of EPs \u2013 Succumbing (2019) [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,4906],"tags":[],"class_list":["post-102974","post","type-post","status-publish","format-standard","hentry","category-album-ep-reviews","category-nuclear-tomb"],"_links":{"self":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/102974","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/comments?post=102974"}],"version-history":[{"count":5,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/102974\/revisions"}],"predecessor-version":[{"id":102986,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/posts\/102974\/revisions\/102986"}],"wp:attachment":[{"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/media?parent=102974"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/categories?post=102974"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.metalforcesmagazine.com\/site\/wp-json\/wp\/v2\/tags?post=102974"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}